37 blog posts found matching keyword search for: Mics in Cabin John
Cameras, lights and mics are the backbone of every filmmaker’s arsenal, but are you sure you’ve explored all of your options? There’s plenty of new and exciting gear you have probably never heard of, despite its potential to change the world of filmmaking. We’ve picked out our 5 favorites below.
Pro Videographer & Editor Bradford Hill has had a lot of experience shooting events, music videos & interviews across the nation. His project require crisp sound with clear settings. When Shure shipped both their VP83 LensHopper™ mic and the VP83F LensHopper™ mic straight to ProductionHUB Inc., Hill hooked them up on both the Canon C100 and Canon XA25 to see just how sound these mics truly are.
You know sometimes we make such a big deal out of cinematic production that it has been said we forget about the importance of audio. I don’t think that is true at all. If anything, we should spend a lot more time thinking these days about how the audio plays such a big part in the whole production process. Which mics are we going to use? What sound fx? Who is doing the music? Is it an original score? All those questions must be answered because audio matters.
Introducing Dialogue Match: iZotope's Brand New Tool That is Revolutionizing Dialogue Editing and ADR Workflows
Dialogue Match is a Pro Tools AudioSuite tool intended for re-recording mixers who deliver the final sound mix for films and television programs. For decades, these mixers have had the tedious job of matching dialogue from lavalier, boom mics, and ADR in order to create a seamless and cohesive dialogue performance. This long and work-intensive process takes valuable time away from crafting the sound of a scene and producing a final mix. Using machine learning, Dialogue Match reduces this process to seconds, making it the first tool to automatically learn and match the reverberant character of dialogue recordings.
I bet over the last couple of years both you (yes you) and I have probably seen and heard dozens of what I would call “internet” types of microphones. Some pretty good, some not so good, then a whole bunch of “in betweens”. When it comes to mics whether USB or XLRs most of the time I am looking at price versus performance and asking myself is this mic or any other production gear I am looking at worth the investment for production professionals? I have my own criteria for that, but that is for another time and another review. Heck, you may even have your own!
PADCASTER PRODUCT TOUR from Manhattan Edit Workshop on Vimeo.Q: So, what exactly is The Padcaster? A: The Padcaster is a rugged iPad case turned mobile production studio that transforms your Apple tablet into an all-in-one moviemaking machine. This sturdy, customizable case lets videographers attach lights, mics and other filmmaking accessories and enhancements to the iPad. Paired with the Lenscaster, the combo takes the iPad from ordinary tablet to high-tech production device. Q: How did you come up with the idea for such a product? Was there an exact moment when the lightbulb went on and you thought of creating this device? A: When I saw that you could shoot HD video, edit it and upload it to almost anywhere (YouTube, Vimeo, CNN ireport, FTP) all on the iPad. It was faster than anything I’d ever seen and something literally clicked. It turned out to be a hernia, but while I was in surgery, I got the idea for the Padcaster. (OK, not that last part.)
With a career that spans back to his days in recording more than a decade ago, Production Sound Mixer José Frías has long-held a love for the audio industry. Although he got his start in music, he’s held many different audio production roles, which has led to his working on projects for high-profile clients, such as Motorola, IBM, ESPN, Time Magazine and more.
DPA Microphones is delighted to have played a key part in capturing the sound for this high octane movie. Award-winning Production Sound Mixer Ben Osmo chose the company's d:screet™ 4063 Miniature Microphones with low sensitivity and low voltage to record dialogue during the shooting of action scenes that involved fast, furious and bumpy chases across the Namibian desert. He also used DPA d:screet 4062 Miniature Microphones with extra low sensitivity for cabled recordings of various vehicles, and these were held firm inside each vehicle by DPA magnet mounts.
Filming is a two way street: you’re not only capturing an image, but you’re also recording dialogue, background noise or some other type of audio that helps to bring your visuals to life.
K-Tek, known throughout the professional audio industry for its rugged and lightweight microphone boom poles, accessories and audio equipment bags, hosted location audio professionals to an open house and seminar at K-Tek’s Vista, CA headquarters. Get an inside look...