22 blog posts found matching keyword search for: Mics in Inglewood
Cameras, lights and mics are the backbone of every filmmaker’s arsenal, but are you sure you’ve explored all of your options? There’s plenty of new and exciting gear you have probably never heard of, despite its potential to change the world of filmmaking. We’ve picked out our 5 favorites below.
Pro Videographer & Editor Bradford Hill has had a lot of experience shooting events, music videos & interviews across the nation. His project require crisp sound with clear settings. When Shure shipped both their VP83 LensHopper™ mic and the VP83F LensHopper™ mic straight to ProductionHUB Inc., Hill hooked them up on both the Canon C100 and Canon XA25 to see just how sound these mics truly are.
You know sometimes we make such a big deal out of cinematic production that it has been said we forget about the importance of audio. I don’t think that is true at all. If anything, we should spend a lot more time thinking these days about how the audio plays such a big part in the whole production process. Which mics are we going to use? What sound fx? Who is doing the music? Is it an original score? All those questions must be answered because audio matters.
PADCASTER PRODUCT TOUR from Manhattan Edit Workshop on Vimeo.Q: So, what exactly is The Padcaster? A: The Padcaster is a rugged iPad case turned mobile production studio that transforms your Apple tablet into an all-in-one moviemaking machine. This sturdy, customizable case lets videographers attach lights, mics and other filmmaking accessories and enhancements to the iPad. Paired with the Lenscaster, the combo takes the iPad from ordinary tablet to high-tech production device. Q: How did you come up with the idea for such a product? Was there an exact moment when the lightbulb went on and you thought of creating this device? A: When I saw that you could shoot HD video, edit it and upload it to almost anywhere (YouTube, Vimeo, CNN ireport, FTP) all on the iPad. It was faster than anything I’d ever seen and something literally clicked. It turned out to be a hernia, but while I was in surgery, I got the idea for the Padcaster. (OK, not that last part.)
DPA Microphones is delighted to have played a key part in capturing the sound for this high octane movie. Award-winning Production Sound Mixer Ben Osmo chose the company's d:screet™ 4063 Miniature Microphones with low sensitivity and low voltage to record dialogue during the shooting of action scenes that involved fast, furious and bumpy chases across the Namibian desert. He also used DPA d:screet 4062 Miniature Microphones with extra low sensitivity for cabled recordings of various vehicles, and these were held firm inside each vehicle by DPA magnet mounts.
Filming is a two way street: you’re not only capturing an image, but you’re also recording dialogue, background noise or some other type of audio that helps to bring your visuals to life.
K-Tek, known throughout the professional audio industry for its rugged and lightweight microphone boom poles, accessories and audio equipment bags, hosted location audio professionals to an open house and seminar at K-Tek’s Vista, CA headquarters. Get an inside look...
On January 29th, a crowd of badge-wearing cinematographers and professional filmmakers gathered into a hip downstairs lounge in the heart of Park City, UT. The purpose? To meet and hear from some of the industry’s most-talented cinematographers with feature films screening at the 2019 Sundance Film Festival.
Blue Stage by Sennheiser will turn you from the average sound buff into a fully-fledged sound connoisseur in no time, and the best part is, the app is free.
Adding music to a film can add power and interest to the production. And when the music is an integral part of the story, the power is multiplied. Filmmakers, creative editing company editors and sound engineers need to work together to realize the full advantages of using music in their film.