46 blog posts found matching keyword search for: Motion Picture Production in Acton
Motion Graphics… not a very popular term amongst average people, but to a film and video nerd like myself, it's very common. Just about every video project you see nowadays incorporates them. The art form itself seems to never die and is constantly evolving into new trends. What's even more uncommon is an average person discussing the origins of motion graphics… a subject that is still debated to this day. Don't worry, this whole blog is not about that… we'll provide some tips later on for you MG enthusiasts to bite onto.
by featured blog contributor, Jeremy PinckertSometimes when I’m in the thick of pre-production on a new television advertising spot, I’m tempted to put all of my emphasis on the obvious questions: Who will be the cinematographer? What camera system will we use? What casting decisions need to be made? Who the hell can convert my scribbles into a real storyboard?There’s a step often left out of the above question process, but one that, as a Director or Producer, does have a significant effect on your picture. In fact, this step is the first point of contact between the enigma of a performance and the camera.
It’s hard enough to find a great job in video production, even with the best resume. Up to 90% of all US employers, including all the major motion picture and TV studios, use a computerized ATS (applicant tracking system) to screen resumes. An employer may use this technology to select the 50 best resumes from a field of 1,000. Hiring executives then spend as little as 6 to 10 seconds scanning each resume to select the best five candidates. Those individuals are contacted for phone interviews and eventually for face-to-face interviews.
Over the years I have had the opportunity to work with some of the best and brightest minds in sports production. Everybody involved in the production side of things has brought their own unique style and expertise to the table - outstanding producers and directors, technical directors, audio engineers with mad skills, rock solid camera ops, and dare I say hundreds of other technicians, grips, and production assistants, and just a lot of other people that make great sports productions happen. But all of the people I have just mentioned whether they were part of a big crew, or of just a crew of two have one thing in common.
With a career that spans back to his days in recording more than a decade ago, Production Sound Mixer José Frías has long-held a love for the audio industry. Although he got his start in music, he’s held many different audio production roles, which has led to his working on projects for high-profile clients, such as Motorola, IBM, ESPN, Time Magazine and more.
Don’t let a lackluster video production resume derail your quest for a better job. Understandably, many people are intimidated by the process of pulling together a top-notch resume. That’s partly because technology has transformed the job search landscape in the last few years.
These 10 tools are for those who want to enhance their awesomeness in their video production and/or want to uphold a professional video service for clientele. These aren’t just 10 things that maybe you should check out sometime, think of them as part of your “Video Kit”. If you want to be the video pro who’s confident and ready to go when asked to do a job, then you need to have some things in place. Before going “out there,” you should set up the resources you need in a way so they’re accessible at all times.
As with any horror film, the end result once it hits screens is absolutely jaw-dropping, bone-chilling and more. But what happens behind-the-scenes? Cue DP, Dan Kneece, and the rest of the production team. We spoke exclusively with the the Director of Photography to find out just what it takes to bring a horror film to life.
Visual Data Media Services provides post-production services, film scanning and transcoding for a wide range of international customers, preparing content for distribution across the world’s premier broadcast channels and digital platforms. For more than two decades, the company has successfully provided everything from ingest and scanning to editing, captioning and localization, growing to become a premier resource for the entire mastering and delivery process. But last year, with a tremendous increase in 4K and ultra high definition (UHD) projects, Visual Data’s systems were struggling to keep up.
We have to start with the Super Bowl. Every year millions of viewers gather in living rooms and man caves all over America and the world to soak in the spectacle that has become one of the most-viewed sporting events of the year. Think about it. Two weeks of pure hype leading up to Super Bowl Sunday. Five Million Dollars for a thirty-second spot. Countless hours of pre-game analysis and breakdown of almost every aspect of what is to come. A whirlwind symphony of production personnel by the hundreds and new technology with one goal. That one goal is to make the viewer experience unforgettable.