54 blog posts found matching keyword search for: Music Producers in Salem
The first day of shooting is always an exciting time for cast and crew, but it wouldn’t be possible without the months of pre-production that brought everyone to the set. You’re probably familiar with Edison’s quote about genius being 1% inspiration and 99% perspiration. Think of production as 1% realization and 99% preparation.
GDC Session with speaker Rod Abernathy, Rednote Audio.Rod Abernethy is known throughout Europe, Asia and the Americas for his cutting-edge approach to music composition for video games, television and film. Credits include: Sound Dead Space, Rage, Wheelman, Alpha protocol, Hobbit, King Arthur and Transformers, Madagascar 3, and more! Rod’s music has also been featured in programming for major networks including ABC, CBS, Discovery Channel, ESPN, Fox, G4, HBO, Nickelodeon, TLC and PBS.
by Jessica NinModerator:Randy Thornton, CEO & President of Warner/Chappell Production Music Speakers: * John Houlihan: Music Supervisor, “Training Day,” “Austin Powers,” “Vegas”; VP, Guild of Music Supervisors * Jeff Lusk Music Supervisor and Sound Designer, Warner/Chappell Production Music * Alexandra Patsavas Chop Shop, Music Supervisor, “Grey’s Anatomy,” “Mad Men,” “The Carrie Diaries” * Edwina Travis-Chin Music Director, APM Music Session Description:So many successful films and television shows feature memorable music that strikes the perfect balance between what is seen on the screen and what is felt by the viewer. From haunting ballads to hard-driving rock and roll, much of this is accomplished through a mix of both production music and original scores. Leading music supervisors know how to work with both. In this panel of industry executives and working music supervisors, learn how the pros determine the best approach to achieving the desired mood for a film. Produced in partnership with the Production Music Association (PMA) and the Guild of Music Supervisors.
Mike Fuller, with CSS Music gives us a few quick tips on how to best utilize stock music in your next production project.
Almost everybody knows that there’s a lot of fierce competition when it comes to breaking into the music industry - particularly in the production arena. However, many people make the same mistakes year after year as they try to enter the creative job market while skipping necessary steps that could help them succeed.If you’ve got the talent and creativity, you can make it in the music business. Still, it does require some effort on your part, and you’ll need to make all the right moves if you want to stand out from the growing crowd.
In film, soundtrack is just as important as visuals for telling the story - it helps to fully convey the intended emotion of a scene, establish continuity and add momentum.
Sony Creative Software, a leading provider of professional video and audio editing applications, today announced the availability of the latest upgrades to their award-winning line of consumer products which include Movie Studio 13 Platinum and ACID Music Studio 10. These applications offer aspiring independent filmmakers and music producers the tools to produce compelling, professional-quality projects for distribution from the desktop to the cloud.
Audio Network is now releasing multiple new albums by a range of artists and composers on Spotify, Apple Music and iTunes every month. This provides a seamless way to discover their tracks where people connect with music most. Head of A&R at Audio Network, Jay Greenwood gives an exclusive look at the idea behind these new commercial releases.
By N. Halpern“Liquid Planet” is an elegantly-designed loop library for producers and composers, emphasizing ambient textures and ethnic percussion loops. The library was developed by Robert Rich, a California-based composer known for his work in ambient and minimalist music. The library is available as a subset of Sony Creative Software’s “Scoring Pack” or as a standalone library.The library is well organized, with its materials divided into seven general folders: Clean Flutes, Drones & Abstract, Ethnic Percussion, Melodic Metal, Synthetic Pulses, and Twinkles. Where applicable, each file is labeled and meta-tagged with its respective original tempo and/or key. All audio is clean and high fidelity.
by N. HalpernThe Sony Pictures Sound Effects Series is a ten-volume collection of sound effects, foley, and sound design elements. This wide-ranging collection takes its material directly from the vaults of Sony Pictures Entertainment; unsurprisingly, the quality of the material is uniformly top notch. Besides being a nice potential additional to a sound designer or mixer’s arsenal, this is also an excellent commercial library for quick access for editors, producers, theater producers, and even composers (more on that later) who need to take sound matters into their own hands.