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At the risk of upsetting the visual creatives out there, I’m just going to go ahead and call BS on the idea that when it comes to video, music is only kind of important. Like those guests who are kind of important enough to be invited to your wedding, but then find themselves sitting at the kids’ table.

Music licensing commonly refers to 'royalty free music' or 'production music'. This is music that has been written and produced with the sole purpose of being used in another project. Anyone can then license this music for a fee, to use in their project.

Almost everybody knows that there’s a lot of fierce competition when it comes to breaking into the music industry - particularly in the production arena. However, many people make the same mistakes year after year as they try to enter the creative job market while skipping necessary steps that could help them succeed.If you’ve got the talent and creativity, you can make it in the music business. Still, it does require some effort on your part, and you’ll need to make all the right moves if you want to stand out from the growing crowd.

If you took a second to close your eyes and think about Star Wars, what comes to mind? What are you hearing? Laser blasters, light sabers, possibly a dramatic score by John Williams? For the major films in pop culture, music plays a major role in developing the themes and tone of the production.

GDC Session with speaker Rod Abernathy, Rednote Audio.Rod Abernethy is known throughout Europe, Asia and the Americas for his cutting-edge approach to music composition for video games, television and film. Credits include: Sound Dead Space, Rage, Wheelman, Alpha protocol, Hobbit, King Arthur and Transformers, Madagascar 3, and more! Rod’s music has also been featured in programming for major networks including ABC, CBS, Discovery Channel, ESPN, Fox, G4, HBO, Nickelodeon, TLC and PBS.

The effect of music in the world of production is apparent in almost everything produced. When used correctly, music can uplift a piece to its full potential. It can speak when words fail.

by Jessica NinModerator:Randy Thornton, CEO & President of Warner/Chappell Production Music Speakers: * John Houlihan: Music Supervisor, “Training Day,” “Austin Powers,” “Vegas”; VP, Guild of Music Supervisors * Jeff Lusk Music Supervisor and Sound Designer, Warner/Chappell Production Music * Alexandra Patsavas Chop Shop, Music Supervisor, “Grey’s Anatomy,” “Mad Men,” “The Carrie Diaries” * Edwina Travis-Chin Music Director, APM Music Session Description:So many successful films and television shows feature memorable music that strikes the perfect balance between what is seen on the screen and what is felt by the viewer. From haunting ballads to hard-driving rock and roll, much of this is accomplished through a mix of both production music and original scores. Leading music supervisors know how to work with both. In this panel of industry executives and working music supervisors, learn how the pros determine the best approach to achieving the desired mood for a film. Produced in partnership with the Production Music Association (PMA) and the Guild of Music Supervisors.

Harsha Thangirala is an LA-based Music Editor and member of Bleeding Fingers Music, the prestigious collective of composers and music professionals headed by Hans Zimmer. With hard work and a devotion to his craft, Harsha has helped realize scores for clients like Netflix, National Geographic, The History Channel, and BBC.

ALIBI's robust, versatile and expertly curated catalog features music and FX produced, structured and crafted for storytelling and is available to license for advertising, trailers, promos, programming, video games, all other forms of multimedia content. Founder/Executive Producer Jonathan Parks talks about how ALIBI Music Library got started and the future of the company.

Mike Fuller, with CSS Music gives us a few quick tips on how to best utilize stock music in your next production project.