157 blog posts found matching keyword search for: Music Production in Pueblo
3 Things to Think About When Choosing Music for Video
At the risk of upsetting the visual creatives out there, I’m just going to go ahead and call BS on the idea that when it comes to video, music is only kind of important. Like those guests who are kind of important enough to be invited to your wedding, but then find themselves sitting at the kids’ table.
Published on Friday, June 10, 2016 10:58 AM
The Importance of Music Licensing for Royalty Free and Production Music
Music licensing commonly refers to 'royalty free music' or 'production music'. This is music that has been written and produced with the sole purpose of being used in another project. Anyone can then license this music for a fee, to use in their project.
Published on Wednesday, March 7, 2018 12:00 PM
The Do's & Dont's of a Successful Career in Music Production
Almost everybody knows that there’s a lot of fierce competition when it comes to breaking into the music industry - particularly in the production arena. However, many people make the same mistakes year after year as they try to enter the creative job market while skipping necessary steps that could help them succeed.If you’ve got the talent and creativity, you can make it in the music business. Still, it does require some effort on your part, and you’ll need to make all the right moves if you want to stand out from the growing crowd.
Published on Thursday, August 29, 2013 5:51 PM
The Art & Music of Sound for Games
GDC Session with speaker Rod Abernathy, Rednote Audio.Rod Abernethy is known throughout Europe, Asia and the Americas for his cutting-edge approach to music composition for video games, television and film. Credits include: Sound Dead Space, Rage, Wheelman, Alpha protocol, Hobbit, King Arthur and Transformers, Madagascar 3, and more! Rod’s music has also been featured in programming for major networks including ABC, CBS, Discovery Channel, ESPN, Fox, G4, HBO, Nickelodeon, TLC and PBS.
Published on Wednesday, April 3, 2013 10:20 PM
How to Make the Most of a Music Archive
The effect of music in the world of production is apparent in almost everything produced. When used correctly, music can uplift a piece to its full potential. It can speak when words fail.
Published on Wednesday, January 27, 2016 11:00 AM
How Music Supervisors Set the Mood
by Jessica NinModerator:Randy Thornton, CEO & President of Warner/Chappell Production Music Speakers: * John Houlihan: Music Supervisor, “Training Day,” “Austin Powers,” “Vegas”; VP, Guild of Music Supervisors * Jeff Lusk Music Supervisor and Sound Designer, Warner/Chappell Production Music * Alexandra Patsavas Chop Shop, Music Supervisor, “Grey’s Anatomy,” “Mad Men,” “The Carrie Diaries” * Edwina Travis-Chin Music Director, APM Music Session Description:So many successful films and television shows feature memorable music that strikes the perfect balance between what is seen on the screen and what is felt by the viewer. From haunting ballads to hard-driving rock and roll, much of this is accomplished through a mix of both production music and original scores. Leading music supervisors know how to work with both. In this panel of industry executives and working music supervisors, learn how the pros determine the best approach to achieving the desired mood for a film. Produced in partnership with the Production Music Association (PMA) and the Guild of Music Supervisors.
Published on Thursday, April 18, 2013 5:55 PM
A Look Inside ALIBI Music Library
ALIBI's robust, versatile and expertly curated catalog features music and FX produced, structured and crafted for storytelling and is available to license for advertising, trailers, promos, programming, video games, all other forms of multimedia content. Founder/Executive Producer Jonathan Parks talks about how ALIBI Music Library got started and the future of the company.
Published on Tuesday, December 31, 2019 10:00 AM
How to Make Music Libraries your Friend
Mike Fuller, with CSS Music gives us a few quick tips on how to best utilize stock music in your next production project.
Published on Monday, June 22, 2015 12:55 PM
Jon Beattie, Steadicam Operator for Pharrell's, “24 Hours of Happy”
What does it take to create the world’s first 24 hour music video? A kickass crew of creatives and no time for second takes, that’s what. Pharrell’s “24 Hours of Happy” music video has been shared, watched and danced to all across the web, and the fact that it was shot in just 10 days deserves a bit of a happy dance all on its own. Catch up with Jon Beattie, Steadicam Operator of the music video and learn his trick, tips and advice on being part of such an unforgettable project.
Published on Friday, December 13, 2013 1:00 PM
Shooting a Live Red Carpet at the iHeartRadio Music Awards: Here's How it's Done
As any good DP already knows, it’s important to be able to step outside your comfort zone. If you trust your instincts and have flexible gear that you can rely on to support new workflows, these challenges can quickly become opportunities to expand your horizons. It’s just what DP Vance Burberry did at the 2017 iHeartRadio Music Awards, which took place on March 5th at The Forum in Inglewood, California. Vance and his team were tasked with shooting live pre-show and red carpet footage for promos, which aired in near real-time.
Published on Friday, April 21, 2017 11:00 AM
Showing page 1 of 16