14 blog posts found matching keyword search for: Non Linear in Boulder
by Andre ElijahSony Vegas Pro 13 is a Non Linear Editing system from the folks at Sony Creative Software akin to other professional mainstream NLEs from Avid, Adobe, and Apple. Like those other NLE's, Vegas Pro 13 has all of the day to day essentials required by a modern editor including, a timeline, media bins, a viewport for the selected clip, as well as a viewport for the timeline. Additionally - all of the tools in terms of making selections and trimming are where you'd expect. Since I come from a career of mainly editing documentaries - one of the things I've come across lots of is mixed formats of footage. RED, 5D mark II, GoPro, P2, XAVC, and files transcoded in ProRes. I'm glad to report that all of these formats work easily in Vegas Pro 13 - and it is as simple as drag and drop. Additionally you can mix and match all these types of footage in the same timeline without issue.
G2 Crowd, the world’s leading business software review platform, recently released a report around video editing software. After analyzing more than 200 user reviews of eight different video editing products (Adobe Premiere Pro, Final Cut Pro X, iMovie, Avid Media Composer, DaVinci Resolve, Edius Pro, Sony Vegas Pro and HitFilm4Pro), trends emerged around what features need improvement, as well as features that are key positives in the video editing processes.
One of the biggest pressures the production industry faces today is the creation of content. And not just any content...but content that moves and captivates anyone who views it, ultimately pulling them in to the point of no return where they keep returning for more. This type of content is easily digestable and keeps the consumer on his or her toes, always wanting (and expecting) more.
As technology continues to progress at a rapid pace, post-production is set to change dramatically. Besides great new software features, compute (and therefore render) power continues to increase with faster processors and more powerful xPUs (GPUs, TPUs, etc.). This means real-time editing of HD, 4K, 8K, AR and VR is fast becoming a reality, ultimately shortening post-production timeframes.
Visual Data Media Services provides post-production services, film scanning and transcoding for a wide range of international customers, preparing content for distribution across the world’s premier broadcast channels and digital platforms. For more than two decades, the company has successfully provided everything from ingest and scanning to editing, captioning and localization, growing to become a premier resource for the entire mastering and delivery process. But last year, with a tremendous increase in 4K and ultra high definition (UHD) projects, Visual Data’s systems were struggling to keep up.
by Steve Rotz While at NAB today, we were able to sit it on the "Anytime, Anywhere, Any Device: Advanced Mobile Development" session. Learn what the mobile development pros attending NAB had to say about the advancement of mobile while in Las Vegas.
ProductionHUB speaks with Local Hero CEO Steve Bannerman and President & Supervising Colorist Leandro Marini about what it's like working at a post house and how they are adapting to this ever-changing industry.
In our age of software animation, people tend to get excited about tools, but forget to pay attention to the key elements and their work ends up not looking professional. The main purpose of sharing my knowledge today is to help change the mindset of how people animate.
Everything changes and television is no exception. Online is the new television. The amount of time people spent consuming only video each day jumped 23.3% in 2015 and is set to increase by a further 19.8% in 2016. Advances in technology only boosted this trend with increases in mobile video performance and storage capacities.
Over the years our seasoned directors, producers and videographers have directed hundreds of interviews with top corporate leadership in Miami and South Florida. But a recent trend is for internal communications departments to take on a larger role in corporate video productions by producing their own video content.