19 blog posts found matching keyword search for: Panavision in Washington
Get Up Close and Personal with Canon's CINE-SERVO 50-1000mm T5.0-8.9 lens
DP, Tim Arasheben gives us an inside look at what it's like to shot with Canon's 50-1000mm lens on set on the short film, “Connections." Learn the pros and cons of the lens, along with info about the short and what projects Arasheben has set for the future.
Published on Friday, July 10, 2015 1:48 PM
'The Blacklist' Short Lists Anton/Bauer, Litepanels and OConnor
Cinematographers Eric Moynier and Michael Caracciolo shoot NBC's hit series, The Blacklist, with support from Anton/Bauer batteries, Litepanels fixtures, and OConnor fluid heads. Mostly shot on location - including Manhattan, the outer boroughs, Long Island, New York's Rockland and Westchester counties and the stages of Chelsea Piers - the show's dramatic storytelling is a perfect match for the tools.
Published on Wednesday, April 29, 2015 3:56 PM
Devising a New Aspect Ratio for the Dinosaurs of Jurassic World
Jurassic World is another in a long line of big-budget tentpole features for cinematographer John Schwartzman, ASC (Armageddon, Seabiscuit, Night at the Museum: Battle of the Smithsonian, The Amazing Spider-Man). With a production scale rivaling that of its dinosaur-sized subjects, this fourth installment in the series served up something Schwartzman had not had on any film prior: the opportunity to create a new aspect ratio.
Published on Friday, July 10, 2015 1:48 PM
Looking Back at Cine Gear 2018
The 2018 version of Cine Gear has come and gone (insert sad face) but not before the camera and gear makers released all kinds of new and exciting announcements about their products. It was (as usual) a real toss up of where to even start, but here we go with some really interesting things to talk about from the show.
Published on Monday, June 4, 2018 11:19 AM
A Look at Cine Gear 2019
What better way to kick off the summer production season than with Cine Gear Expo? Held at The Studios at Paramount, Cine Gear Expo was clearly the place to be for media professionals. There were scores of new product demonstrations along with expert panel discussions, awards and special screenings.
Published on Friday, June 7, 2019 10:00 AM
Setting the (Horror) Scene: Discover the Production On Set of Gothic Harvest
As with any horror film, the end result once it hits screens is absolutely jaw-dropping, bone-chilling and more. But what happens behind-the-scenes? Cue DP, Dan Kneece, and the rest of the production team. We spoke exclusively with the the Director of Photography to find out just what it takes to bring a horror film to life.
Published on Friday, March 2, 2018 10:00 AM
RED Rolls On with Hydrogen One (Part 2)
One of the best things about being the Technology Editor here at ProductionHUB is having the ability to connect with a lot of really smart people (the best and brightest) from throughout our industry. Shortly after the Hydrogen story broke, I got together with a few RED owners via online and asked them to give me their take on the Hydrogen and the perceived impact it might have on our business.
Published on Tuesday, July 18, 2017 7:52 PM
What I Learned Shooting My First Feature Film on 35mm
In 2015, I started production on my first feature film, ANONYMOUS KILLERS. Shooting on 35mm was very important to me because the quality of film makes for a more natural, grainy look than filters applied to digital. I found that this choice also made me a much more disciplined filmmaker. During each stage of filming, a filmmaker must make difficult decisions. Shooting on 35mm added to these challenges, but the end effect was worth it!
Published on Wednesday, September 16, 2020 10:00 AM
Jon Beattie, Steadicam Operator for Pharrell's, “24 Hours of Happy”
What does it take to create the world’s first 24 hour music video? A kickass crew of creatives and no time for second takes, that’s what. Pharrell’s “24 Hours of Happy” music video has been shared, watched and danced to all across the web, and the fact that it was shot in just 10 days deserves a bit of a happy dance all on its own. Catch up with Jon Beattie, Steadicam Operator of the music video and learn his trick, tips and advice on being part of such an unforgettable project.
Published on Friday, December 13, 2013 1:00 PM
How Lens Metadata Can Save Time and Money in Post
Metadata is an invaluable source of information in the content creation industry, enabling people to search, find and manage content quickly and easily. However, while the value of metadata is a given for archiving, it is largely overlooked at the acquisition stage. While some metadata from the lens is currently used on set for monitoring levels, there is so much more it could do that could save significant time and money during production and post.
Published on Friday, August 5, 2016 11:35 AM
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