22 blog posts found matching keyword search for: Phantom in Concord
It was January of 2013 when something called the Phantom was released by DJI a Chinese UAV manufacturer. The Phantom was a remotely operated platform to add a GoPro camera for capturing aerial video and photos. This was ground breaking for most filmmakers and hobbyist since it was a way to add a high budget look to their work at low costs. Since 2013 DJI among many other manufacturers have raised the bar on technology and the growth of the drone industry has sky rocketed.
AbelCine recently hosted an Open House at their Burbank facility to celebrate its renovation and expansion. An estimated 300 people attended throughout the day, participating in seminars, chatting with AbelCine’s technical specialists and staff, and networking with colleagues.Over the course of the day, AbelCine’s brand new theaters were packed for free technical seminars on a variety of topics, including ARRI Cameras & Accessories, Sony Super35 Camera Systems, Canon Cinema EOS, and the Phantom Flex4K. Cinematographer and director Sony Behar teamed up with AbelCine’s Andy Shipsides for a presentation on “Choosing the Right Camera.”
Do you know how to light when shooting at up to 80,000 frames per second?Learn from Matt Drake and his DP Matt Novello, the team behind Bullet Theory Films. They recently shot a commercial for Sinter Fire Bullets’ frangible ammo. The team wanted to avoid using CGI effects, so they chose to shoot with the Phantom v711 at extremely high frame rates (up to 80,000 fps) to capture the live bullets.
SCRATCH v8 is everything a digital cinema or broadcast post artist needs for 2D and 3D productions: One comprehensive and robust end-to-end imaging tool set -- from data management to conform, color grading, versioning, compositing, playback, and finishing -- for nearly all digital workflows, including RED, ARRI, Sony F65 and F55, Canon 5D, Phantom, Go Pro and many more.
Just in case you haven’t been paying attention or have been living under a rock, we are now way past the intro stage of drones, to a full force invasion of epic technology. The drone(s) for the film and video production world have changed so many of the dynamics of production, from planning and safety, and FAA regulations, to getting shots that just couldn’t have been possible even a few year ago.
Here’s a HUGE issue that my contemporaries and I see all too often. Productions just know that they “need a drone” and lump all UAV’s into the same category. Now pay attention class because this is important: What you need is a skilled and licensed pilot/company that has the correct camera/drone/team combination for your production.
Well, that didn’t take long. Atomos dropped an early announcement prior to the show open. The calibrated Sumo 19” Recorder/Monitor/Switcher has all the potential to be a real game changer for maybe every segment of the production market today.
Reviewed by Chris SanchezAKG recently sent me a pair of their new 451 ‘65th anniversary edition’ models as well as a D12VR to evaluate in studio. While not strict re-issues per se, these beautifully made microphones combine vintage and modern features to continue the legacy of these two great product lines. AKG introduced the original D12 in the mid 1950s, and it has been a favorite for kick drum mic’ing for decades. The 451 has a similar lengthy history, with that series debuting in 1969. AKG 451s have for decades been staples in music recording studios as well as on film sets and foley stages.
Evolve Digital Cinema has two simple goals - to create the best visual media within their power & to always learn, grow and continue to evolve themselves and their work. Evolve Digital Cinema / IMG is a boutique creative production agency that produces digital film, TV, HD Video, Photography and Graphic Design. With a recent Emmy win for a National Geographic video they created, and collaborating with clients such as Disney, FOX and ESPN, this agency keeps getting better and better!The New Nat Geo Explorers :45 from Evolve Digital Cinema | IMG .
by Corey Steib Kinefinity™ based in China is a new brand of professional digital cinema products including KineRAW cameras, KineMAG SSD, KineKIT accessories, KineStation transcoding software, KineGrip sidegrip, and more. The KineRAW cameras and related products are designed, developed, assembled in China by a team with passion, concentration, vision and technical background from high performance astronomy camera design.Now for the longest time, RED has been the big company to make 4K and higher cameras but now it seems that Kinefinity has announced their very own 6K cameras called KineMax along with the KineMini 4K Camera which are sure to make a lot of noise at this years NAB.