27 blog posts found matching keyword search for: Production Truck in Italy
The demand for live televised college sports has never been higher. From all of the biggest and best college football programs to sports that you may never have seen before, the heat is on to produce the type of high production quality that viewers expect. With colleges and conferences building their own networks, it's no wonder that crews are busier than ever. Where do we start?
The scope and beauty of the Olympics is beyond compare. But how do all of those beautiful images and wonderful audio get produced and sent back to an eager audience? As part of one of the largest productions ever assembled, Glen Levine, Co President NEP Group had a unique vantage point unlike no other for the 2016 Rio Olympics. ProductionHub had the rare and exclusive opportunity to catch up with Glen Levine, Co President NEP Mobile on the ground in Rio.
There is no doubt about it: a lot of people love to watch sports. Viewership for the NFL alone was up 5% in 2018. That rising number also translates into increased production opportunities for all of us. But who is booking these productions and how are they getting the job done?
Over the years I have had the opportunity to work with some of the best and brightest minds in sports production. Everybody involved in the production side of things has brought their own unique style and expertise to the table - outstanding producers and directors, technical directors, audio engineers with mad skills, rock solid camera ops, and dare I say hundreds of other technicians, grips, and production assistants, and just a lot of other people that make great sports productions happen. But all of the people I have just mentioned whether they were part of a big crew, or of just a crew of two have one thing in common.
As a producer/director/shooter I’m always looking for the best way to maximize the investment of time and money. When it comes to purchasing and getting new gear into the production flow you need to do your homework. Listed below is but a few of the thousands of camera support products that are out there. But hey, that's why we’re here! The trick is to choose the right gear to stay within your budget and still come out with outstanding content. Easier said than done. But here is the good news. Getting new gear doesn't have to break the bank, and if you play your cards right, new gear can even pay for itself over time. So with that said lets’ check out some of the latest camera support gear and rigs that will take your production values to the next level.
Creative professionals are by nature risk takers. Whether it’s some sweeping camera move or scene, we all want to get “that shot”. You know what I'm talking about. The one shot that steals your breath and makes for that wow and I might just die moment. Let’s take a look at some of the people and projects that make us stand up and take notice.
From digital cameras to 8K workflows, video and sports production have been in a seemingly constant state of evolution. Veteran Steadicam operator and production specialist Alan Lennox has worked on everything from the Olympics to feature films and television episodes with new camera technology for decades.
It’s almost the Fourth of July and many of the production pros are loading up for the big outdoor production runs of the summer. But let’s face it — in reality, working outdoors can be a year-round challenge. From freezing rain and blistering heat too long days and nights, executing live multi-camera outdoor productions can be a daunting, yet exhilarating experience.
What if you could produce more live videos without incurring the expense and hassle associated with sending entire production crews and trucks to every venue? And what if you could do that without sacrificing video quality or reliability? The wireless at-home production model allows you to do just that. At-home production is changing the way you can execute live events. Here’s how:
As with any horror film, the end result once it hits screens is absolutely jaw-dropping, bone-chilling and more. But what happens behind-the-scenes? Cue DP, Dan Kneece, and the rest of the production team. We spoke exclusively with the the Director of Photography to find out just what it takes to bring a horror film to life.