131 blog posts found matching keyword search for: RED in Renton
Early 2014 signals the arrival of awards season. Starting with the Golden Globes on January 12, the Grammy’s on January 26, through the Academy Awards on March 2, the stars are out in full regalia, and celebrity shooters like Michael Goldberg are on hand to capture it all. Conveniently based in Beverly Hills, his company, CelebrityFootage™, has been shooting celebs on the red carpet for over 20 years. And today this ever-growing collection of historical and up to the moment clips is available for editorial coverage, royalty-free from Shutterstock .Like anything else, shooting celebrities at live events has its own quirks and criteria and no one knows the ins and outs better than Goldberg. Here are Michael Goldberg’s tips for creating the perfect shot.
This past Thursday RED announced the Hydrogen One. The specifics were few and far between but according to the information out there so far, here is what we do know. According to RED, the Hydrogen One will run the Android operating system on a 5.7-inch "hydrogen holographic display." This according to RED will make glasses a thing of the past. Users will be able to switch between 2D, Holographic, 3D and Interactive games.
As any good DP already knows, it’s important to be able to step outside your comfort zone. If you trust your instincts and have flexible gear that you can rely on to support new workflows, these challenges can quickly become opportunities to expand your horizons. It’s just what DP Vance Burberry did at the 2017 iHeartRadio Music Awards, which took place on March 5th at The Forum in Inglewood, California. Vance and his team were tasked with shooting live pre-show and red carpet footage for promos, which aired in near real-time.
by featured blog contributor, Jeremy PinckertSometimes when I’m in the thick of pre-production on a new television advertising spot, I’m tempted to put all of my emphasis on the obvious questions: Who will be the cinematographer? What camera system will we use? What casting decisions need to be made? Who the hell can convert my scribbles into a real storyboard?There’s a step often left out of the above question process, but one that, as a Director or Producer, does have a significant effect on your picture. In fact, this step is the first point of contact between the enigma of a performance and the camera.
One of the best things about being the Technology Editor here at ProductionHUB is having the ability to connect with a lot of really smart people (the best and brightest) from throughout our industry. Shortly after the Hydrogen story broke, I got together with a few RED owners via online and asked them to give me their take on the Hydrogen and the perceived impact it might have on our business.
While keeping warm in Miami at NATPE this week, we thought we'd share a quick interview with Wayne Scholes, CEO and Chairman of Red Touch Media. He is a panelist on the Platforms Accelerated track at NATPE, titled "Let’s Make a Deal: Trading Premium Content for User Data," a topic he can delve into deeply, in addition to talking about his insight/outlook on the digital content industry.Get insight on the entertainment and technology industries, recent content distribution deals & more.
Red Giant chats with Sandwich Video’s Adam Lisagor (founder, president), Zach Hobesh (head of post) and Jeff Hodges (post coordinator) - here’s what they have to say about producing commercials for some of hottest startups on the scene.
The release of full frame cameras like ARRI's LF, RED’s Monstro, Canon’s C700 and Sony’s VENICE has made it clear that the future of cinema is headed toward larger sensor sizes. Of course, we have been shooting full frame video ever since the Canon 5D Mark II. But it’s only recently that high-end cinema camera manufacturers have brought larger sensor cameras to the market.
Director, Antek Nykowski, describes the challenges of filming the day to day activities of the mountain rescuers and the use of aerial drones and RED dragon to enhance the shots.
After investing in a RED Epic Dragon camera less than five years ago, it has always been extremely important to me to be able to keep it powered through an entire day. Core SWX allows me to do just that.