19 blog posts found matching keyword search for: Second Assistant in Springfield
Bring Your Production Career Back From the Dead with These 12 Tips
From couch-surfing to sets like Walking Dead and Quantico, it takes grit. It takes determination. It takes an unwavering, fierce passion for the film industry to stay on top of producer’s minds. And, being a certified Apple Tech sure can’t hurt, either. At least according to JC Conklin, whose recent credits included Director’s Assistant on Walking Dead and Office Assistant, then Runner on ABC’s Quantico.
Published on Tuesday, November 17, 2015 4:04 PM
Anton/Bauer, Litepanels & OConnor Keep The Americans Camera Dept on the Move
The camera crew behind the hit FX TV series The Americans chose Vitec Videocom brands to support the production through its second season. The show’s cinematographer Richard Rutkowski, and camera assistants Brendan K. Russell and Rory Hanrahan, rely on Anton/Bauer batteries and chargers, Litepanels LED lights, and OConnor fluid heads and tripods for their reliability and durability during stage and location shoots, which helps keep the show on pace and on budget.
Published on Thursday, May 22, 2014 3:05 PM
Cannes Lions Winning Editor Ernie Gilbert Talks Creative Strategy Behind 'This is America' Music Video
Director/Editor Ernie Gilbert has a pretty outstanding track record when it comes to his stint in the industry — including assistant editing on Emmy, Golden Globe and Peabody award-winning shows like Baskets (FX), Atlanta (FX), and Barry (HBO). He has also worked with some of the largest ad agencies in the world and brands like Jordan, DirectTV, Banana Republic, Reebok, American Eagle and Fox Sports. In addition to his film work, he has edited music videos for the likes of John Legend, Trippie Red, 2 Chainz, Schoolboy Q, Linkin Park, Portugal the Man and Shawn Mendes. In 2018, Ernie was nominated for a VMA for best editing on Childish Gambino's "This is America," which has over 500 million YouTube views.
Published on Wednesday, August 28, 2019 10:00 AM
In Review: The Sony FS7II Delivers When It Really Counts!
First off, let me preface this review by saying nothing brings me more joy than getting a camera to try out and review. Some of the cameras I get are good and others are (in my mind) fantastic, great and all that. The Sony FS7II falls squarely in the second category. The second and maybe the more important set of questions are simple. I always ask myself, what would make me want to buy this camera? Secondly, what would compel (you) want to go out and buy this camera? Lastly, when it is all said and done, does it fit into what I am doing production-wise?
Published on Thursday, December 28, 2017 10:00 AM
WOMEN TO WATCH: POWERFUL WOMEN IN THE PRODUCTION INDUSTRY MAKING A SIGNIFICANT IMPACT
The production industry is always evolving, from new ways to film to breakthroughs in production technology, with many women spearheading initiatives that impact the industry and set changes in motion. For the second year in a row, we are thrilled to present a few of our favorite "Women to Watch" — women who are constantly inspiring and reaching new ceilings in an industry that was previously male-dominated.
Published on Monday, March 12, 2018 10:00 AM
Why Every Director Needs an AD
above: Chicago-based AD Stephanie Clemonsby featured blog contributor, Jeremy PinckertAs the Velvet Underground famously sang, “I’m Beginning to See the Light.” Or at least a recent project I was slated to Direct forced me to turn my eyes even more towards a light to which I’ve already been headed. Irregardless, now that I’ve had a look? I ain’t ever going back. Our client, Go RVing, needed a wide-range of marketing video content for Broadcast and Web use, and they brought me in to direct a 4-day shoot on Michigan’s West Coast. The first day was all interviews with actual users telling their unscripted stories to camera. The second and third days involved shooting eight different scenic broll situations with 20+ talent members in various camping situations. The fourth day was a practice in planning, logistics, and highway patrol as we shot seven vehicles on a large stretch of a US highway, through rolling vineyards and driving on wooded country roads.
Published on Wednesday, September 18, 2013 6:08 PM
Tribeca Film Festival Forum
by Nina StreichA new highlight at this year’s Tribeca Film Festival was the two-day Forum about “Growing Your Festival Brand” moderated by former TFF Executive Director, Nancy Schafer.
Published on Friday, April 26, 2013 5:01 PM
Learn Cameras with ARRI Academy
ARRI Academy offers a wide range of training courses to help users of all abilities to gain hands-on knowledge of ARRI products and workflows and build their on-set confidence. We sat down with Art Adams, and experienced camera operator and DP, to talk about the upcoming ARRI Academy crash course he's teaching.
Published on Wednesday, May 16, 2018 10:00 AM
Working in Production: 5 On-Set Safety Practices
Over 17,000 malpractice lawsuits are filed every year, and there are many causes to blame. Some may say it’s because people have become entitled and sue for imagined or accidental wrongs. Others say the malpractice spree was ignited due to willful and negligent practices that were injuring patients. Knowing the world as it is, it’s safe to assume it’s a little bit of both.
Published on Friday, April 27, 2018 9:00 AM
'The Blacklist' Short Lists Anton/Bauer, Litepanels and OConnor
Cinematographers Eric Moynier and Michael Caracciolo shoot NBC's hit series, The Blacklist, with support from Anton/Bauer batteries, Litepanels fixtures, and OConnor fluid heads. Mostly shot on location - including Manhattan, the outer boroughs, Long Island, New York's Rockland and Westchester counties and the stages of Chelsea Piers - the show's dramatic storytelling is a perfect match for the tools.
Published on Wednesday, April 29, 2015 3:56 PM
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