38 blog posts found matching keyword search for: Sound Mixer in Vancouver
Sound Insight with Production Sound Mixer José Frías
With a career that spans back to his days in recording more than a decade ago, Production Sound Mixer José Frías has long-held a love for the audio industry. Although he got his start in music, he’s held many different audio production roles, which has led to his working on projects for high-profile clients, such as Motorola, IBM, ESPN, Time Magazine and more.
Published on Friday, October 4, 2019 10:00 AM
Enhancing Filmmaking Through Sound Editing
Supervising Sound Editor Mandell Winter has supervised sound editing and mixing teams for Apple's Defending Jacob, HBO's Outsider, & Quibi's #FreeRayshawn. Mandell received two Emmy nominations last year for his work on HBO's Deadwood: The Movie and Season 3 of HBO's True Detective. Additionally, in 2019 he received two MPSE Golden Reel Award nominations for True Detective, a third for Deadwood, and a fourth for What's My Name: Muhammad Ali. He talked exclusively to ProductionHUB about how COVID has altered his day-to-day, breaking into the industry (accidentally!) and what film made him tear up.
Published on Wednesday, June 24, 2020 10:00 AM
Lessons Learned: First Impressions for New Sound Mixers
I'd like to take a couple of minutes to run down a few tips for new location sound mixers. These are observations learned in over more than 30 years in both broadcast and location sound. These are not technical tips. Rather, they are lessons that I've received that made me a more professional, team oriented and in demand mixer.
Published on Monday, October 12, 2020 10:00 AM
Man of Sound: Interview with Sound Editor Woody Woodhall
When it comes to bringing a story to life with sound, there's more to it than meets the eye... or ear. Woody Woodhall, CAS is President of Allied Post Audio in Santa Monica, CA and is an award winning supervising sound editor, sound designer and rerecording mixer. He has sound supervised and mixed feature films, documentaries and for television he’s VO recorded, sound edited and mixed hundreds of episodes of programming for MTV, Comedy Central, Food Network, Nat Geo, History, USA Network and VH-1 to name a few.
Published on Monday, April 11, 2016 2:19 PM
Review: Sony Pictures Sound Effects Series
by N. HalpernThe Sony Pictures Sound Effects Series is a ten-volume collection of sound effects, foley, and sound design elements. This wide-ranging collection takes its material directly from the vaults of Sony Pictures Entertainment; unsurprisingly, the quality of the material is uniformly top notch. Besides being a nice potential additional to a sound designer or mixer’s arsenal, this is also an excellent commercial library for quick access for editors, producers, theater producers, and even composers (more on that later) who need to take sound matters into their own hands.
Published on Thursday, November 21, 2013 11:00 AM
Sound Devices' MixPre-D Gets the Job Done for Award-Winning Filmmaker Barbara Green
Award-winning Filmmaker, Barbara Green, was on the lookout for a mixer to capture dynamic audio for her recent documentary, Packed In A Trunk: The Lost Art of Edith Lake Wilkinson, and she found exactly what she was looking for once she chose Sound Devices' MixPre-D Compact Field Mixer.
Published on Thursday, October 15, 2015 12:02 PM
Want a Great Sounding Film? Don't Skip These Key Details
If I had to pick one constant among independent film festival submissions it would be unintelligible dialogue. The cause of desperation of every director; the bane of every mixing engineer’s existence; the source of suffering of your friends and family, forced to go through a whole movie they don’t understand because the actors’ words simply can’t be heard. This and many other nuances of your film’s sound are the victims of a few often overlooked details, which in turn result in the delivery of a subpar soundtrack, driving your audio post team insane and wasting production money. Good news is these mistakes can very easily be prevented. You can start by tackling a few key issues often associated with your role.
Published on Tuesday, March 14, 2017 10:00 AM
Sound Recordist Pete Lee Climbs Kilimanjaro with Stingray Backpack
Pete Lee is not new to working in the rugged wild. Adventure is second nature to him. A look at his resume shows the challenges he’s used to — Sound Supervisor on Special Forces: Ultimate Hell Week, Sound Recordist on Trailblazers TV Series, Sound on Man Vs. Wild Series and the list goes on. So when he was called on to scale the world’s highest free-standing mountain, while providing sound, Pete was in.
Published on Friday, July 12, 2019 10:00 AM
Sound Designing and Mixing Immersive Audio for MEGAN
As recently as a couple of years ago, it was generally thought that immersive formats such as Dolby Atmos can only be used on big studio productions. Now, this is not necessarily true. Here’s a story of how a short passion project grew into a full-blown Hollywood production and how using Avid Pro Tools native support for Dolby Atmos allowed us to push the boundaries on a proof of concept.
Published on Friday, February 15, 2019 10:00 AM
DPA Microphones Help Capture the Sound on Mad Max: Fury Road
DPA Microphones is delighted to have played a key part in capturing the sound for this high octane movie. Award-winning Production Sound Mixer Ben Osmo chose the company's d:screet™ 4063 Miniature Microphones with low sensitivity and low voltage to record dialogue during the shooting of action scenes that involved fast, furious and bumpy chases across the Namibian desert. He also used DPA d:screet 4062 Miniature Microphones with extra low sensitivity for cabled recordings of various vehicles, and these were held firm inside each vehicle by DPA magnet mounts.
Published on Wednesday, July 1, 2015 12:02 PM
Showing page 1 of 4