51 blog posts found matching keyword search for: Sound Recording in Niagara Falls
Man of Sound: Interview with Sound Editor Woody Woodhall
When it comes to bringing a story to life with sound, there's more to it than meets the eye... or ear. Woody Woodhall, CAS is President of Allied Post Audio in Santa Monica, CA and is an award winning supervising sound editor, sound designer and rerecording mixer. He has sound supervised and mixed feature films, documentaries and for television he’s VO recorded, sound edited and mixed hundreds of episodes of programming for MTV, Comedy Central, Food Network, Nat Geo, History, USA Network and VH-1 to name a few.
Published on Monday, April 11, 2016 2:19 PM
Want a Great Sounding Film? Don't Skip These Key Details
If I had to pick one constant among independent film festival submissions it would be unintelligible dialogue. The cause of desperation of every director; the bane of every mixing engineer’s existence; the source of suffering of your friends and family, forced to go through a whole movie they don’t understand because the actors’ words simply can’t be heard. This and many other nuances of your film’s sound are the victims of a few often overlooked details, which in turn result in the delivery of a subpar soundtrack, driving your audio post team insane and wasting production money. Good news is these mistakes can very easily be prevented. You can start by tackling a few key issues often associated with your role.
Published on Tuesday, March 14, 2017 10:00 AM
The Virtual Sound of Reality: AES 2016
This fall, audio professionals from all around the world convened at the 141st AES Convention in downtown LA to check out the leading-edge audio technology and gear of 2016. Not only was the Los Angeles Convention Center jammed with countless exhibit floors, but there was also a myriad of seminars where attendees gathered to gain insight on these new developments. Some of the highlights included VR/360° audio microphones, virtual microphones and ground-breaking audio plug-ins that now change the way engineers can mix, master and record.
Published on Monday, October 17, 2016 3:48 PM
Mixing Immersive Ambient Sound for Madden NFL 2018
Will Morton, founder and director at Solid Audioworks, knows how much an immersive soundtrack can enhance a player’s experience. Morton is an award-winning senior sound designer and dialogue supervisor who formerly worked at Rockstar North, where he enhanced many high-profile video games, including the Grand Theft Auto series. He founded Solid Audioworks with partner Craig Conner in 2014, to provide audio production, sound design and dialogue for some of the most popular video games on the market today. These include detective action-adventure game L.A. Noire and western-themed adventure Red Dead Redemption. Most recently, Morton and Conner provided cinematic audio for Madden NFL 2018 from EA Sports™.
Published on Wednesday, July 11, 2018 10:00 AM
Sound Designer & Composer Watson Wu Brings Baby Driver to Life
When the critically acclaimed action film Baby Driver hit the big screen, audiences got to experience a number of heart pounding, in-your-face motor vehicle sound effects courtesy of Sound Designer/Composer Watson Wu. In order to capture the pristine vehicle sounds, Wu, long regarded as one of the industry leaders in field recording, relied on his trusted equipment from DPA Microphones. He answered a few questions about working on the film and how he got the sounds just right.
Published on Wednesday, May 23, 2018 10:00 AM
Sound Designing and Mixing Immersive Audio for MEGAN
As recently as a couple of years ago, it was generally thought that immersive formats such as Dolby Atmos can only be used on big studio productions. Now, this is not necessarily true. Here’s a story of how a short passion project grew into a full-blown Hollywood production and how using Avid Pro Tools native support for Dolby Atmos allowed us to push the boundaries on a proof of concept.
Published on Friday, February 15, 2019 10:00 AM
Get Sound Advice from Edward Kaufman on Post Production & More
Get insight from our exclusive interview with sound designer, Ed Kaufman on life as a post production pro, tips on how to best make dialogue, music, and audio pieces all fit together and more!
Published on Tuesday, March 31, 2015 9:30 AM
DPA Microphones Help Capture the Sound on Mad Max: Fury Road
DPA Microphones is delighted to have played a key part in capturing the sound for this high octane movie. Award-winning Production Sound Mixer Ben Osmo chose the company's d:screet™ 4063 Miniature Microphones with low sensitivity and low voltage to record dialogue during the shooting of action scenes that involved fast, furious and bumpy chases across the Namibian desert. He also used DPA d:screet 4062 Miniature Microphones with extra low sensitivity for cabled recordings of various vehicles, and these were held firm inside each vehicle by DPA magnet mounts.
Published on Wednesday, July 1, 2015 12:02 PM
Get More Attention With Your Commercial Video’s Sound (Plus a DIY Trick)
Audio mixing and mastering is a technical and creative process that gives your narrated commercial video a huge psychological edge on the competition.
Published on Monday, December 12, 2016 2:38 PM
Finding the Right Field Audio Gear
Recording excellent field audio is not a mystery. It's achieved through proper planning and execution of the sound parameters you decided on before the actual production starts. That said, getting the right audio gear for the field is an important part of the production process.
Published on Tuesday, January 29, 2019 10:00 AM
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