6 blog posts found matching keyword search for: Soundstage in Delaware
You’re a filmmaker, a band, a special effects producer, a virtual reality game designer, a vlogger or rapper and you’re looking to rent a sound stage, a green screen or a recording studio for your project. Many creative and artistic people know what they want their finished product to look like and are thinking about going to a media studio to make it perfect.
The industry has been talking a lot about using virtual sets recently and for good reasons. Most of the attention has surrounded The Mandalorian, Disney +’s $120 million flagship show. While they’ve certainly pioneered the field and brought it the attention it deserves, a lot of projects don’t have Disney’s production money for their projects. With that being said, designing and utilizing virtual sets is not reserved for the flagship studio projects. Every independent filmmaker should be looking at how they can use this tool to their advantage as there are several scenarios where it can be helpful.
Drew Boughton, the production designer of Amazon's The Man in the High Castle, who was recently nominated for an Art Directors Guild Award for this past season. The series, which just released its third season, takes a look at what the world might be like had the outcome of World War II turned out differently. In this dystopian scenario, the Axis powers won the war, resulting in the United States being divided into three parts.
Hiring is a complex task that is both time-consuming and risky. Any business is affected by who they employ, but the production and event industry is particularly reliant on effective staffing. Film sets, concerts and events completely rely on workers who can work efficiently together to construct and dismantle many areas in a short amount of time. That’s why successful production companies take hiring seriously.
As a pro wrestler, powerlifter and heavyweight MMA champion, Paul Lazenby pulls no punches on the motion capture volume. From his character portrayals in Gears of War to stunt work for Deadpool 2, Paul has become one of the most prominent performers at Animatrik Film Design – the largest independent motion capture facility in North America.
Let me start by asking you a few questions. What is keeping you from realizing your production goals? Is it finding money? Is it a lack of time? Is it a lack of imagination and creativity? Is it a raging pandemic? Maybe it is some of each. I think all of us have been there, in a production cycle where things just don’t seem to be working and there are more questions than answers. It happens. But the question that you need to answer for yourself is how do you get your groove back?