13 blog posts found matching keyword search for: Stunts in South Carolina
From watching superhero movies to starring in them, Nick Baric has been on quite the journey as a Hollywood stuntman. We caught up with him to chat about his time in the mocap world and where he thinks its future might lie.
Whilst computer-generated special effects and stunt driving make for impressive watching, remote-controlled vehicles allow filmmakers to push the boundaries of what is possible to create bigger, bolder and more elaborate scenes.
When the critically acclaimed action film Baby Driver hit the big screen, audiences got to experience a number of heart pounding, in-your-face motor vehicle sound effects courtesy of Sound Designer/Composer Watson Wu. In order to capture the pristine vehicle sounds, Wu, long regarded as one of the industry leaders in field recording, relied on his trusted equipment from DPA Microphones. He answered a few questions about working on the film and how he got the sounds just right.
Warner Bros.’ much anticipated Justice League movie sees DC’s most famed heroes join forces – Batman, Wonder Woman, Aquaman, Cyborg and The Flash — to take down the film’s Big Bad, supervillain Steppenwolf.
TWO BELLMEN, the first original short film production from Marriott International, Inc.’s Content Studio, will have its world premiere on March 10th, 2015 with a global YouTube launch, as well as a gala screening and party at the JW Marriott Los Angeles L.A. LIVE. The iconic JW Marriott property plays a starring role in the film. We interviewed director, Daniel “Malakai” Cabrera to get an inside look into this amazing production.
Whether characters are talking or deeply immersed in action, the car scene has become a staple of movie production. Placing characters in a fixed place against an active, moving backdrop not only advances them in a physical sense but provides unique opportunities for story exposition. Shots like these have now become a director’s staple to transition a film from one plot point to the next.
We had a chance to interview 1st AD Alex Stein to discuss the anatomy of a call sheet. In this article (and video), Alex Stein will break down all the components that should be included in a standard call sheet for film and television.
DPA Microphones is delighted to have played a key part in capturing the sound for this high octane movie. Award-winning Production Sound Mixer Ben Osmo chose the company's d:screet™ 4063 Miniature Microphones with low sensitivity and low voltage to record dialogue during the shooting of action scenes that involved fast, furious and bumpy chases across the Namibian desert. He also used DPA d:screet 4062 Miniature Microphones with extra low sensitivity for cabled recordings of various vehicles, and these were held firm inside each vehicle by DPA magnet mounts.
A new film, now available on VOD and in select theaters right in time for Halloween, “Slice” from A24 and director Austin Vesely, follows some of the best supernatural beings we know and love - from ghosts and witches to werewolves. One of the main factors that went into crafting the look for the film is cinematographer Brandon Riley, best known to audiences as the cinematographer of HBO’s “The Shop” and several of Chance the Rapper's music videos. We talked to Riley about his work on the film, A24, working with Austin and Chance and more.
Production designer, Laurel Bergman, has contributed her creative fingerprint across many notable projects including The Revenant, Rampage, Godzilla, Fifty Shades of Grey and A Series of Unfortunate Events. Her latest work is based on the comic series by Brian Ralph, Daybreak. The series follows the story of a high school outcast, Josh, searching for his missing girlfriend in post-apocalyptic Glendale, California. He must stay alive amongst the horde of Mad Max-style gangs including, evil jocks, cheerleaders turned Amazon warriors, zombie-like creatures called Ghoulies, and everything else this new world throws at him.