80 blog posts found matching keyword search for: Technical Director in North Falmouth
4 Tips to Help Cinematographers Choose Their Next Film & Director
My name is Eli Hershko and I am a photographer turned cinematographer turned director. It was a natural progression for me. I always was drawn to the moving images. I love being involved in the making of movies but I do not tend to shoot my own films. I just can't focus on both the actors and the image at the same time and since they both are equally important in my eyes I tend to look to a cinematographer that can take on the heavy toll of putting my story on film... or digital film in my case.
Published on Monday, May 2, 2016 11:00 AM
VariCam 35 Helps Grab Beautiful Images for Financial Spots
I've learned quite a few lessons throughout the course of my career in commercial production. And many the hard way. But you live -- you learn, and such is life. Perhaps the most important I've learned is how to surround myself with professionals who work on other high-profile projects all the time.
Published on Tuesday, June 16, 2015 12:35 PM
RED Dragon Visual Lens Comparison for Directors
by featured blog contributor, Jeremy PinckertSometimes when I’m in the thick of pre-production on a new television advertising spot, I’m tempted to put all of my emphasis on the obvious questions: Who will be the cinematographer? What camera system will we use? What casting decisions need to be made? Who the hell can convert my scribbles into a real storyboard?There’s a step often left out of the above question process, but one that, as a Director or Producer, does have a significant effect on your picture. In fact, this step is the first point of contact between the enigma of a performance and the camera.
Published on Monday, June 16, 2014 8:08 AM
In Review: The Production Bot Switch 8
I was a bit skeptical when I saw Production Bot, the portable live broadcast studio, earlier this year at the NAB Show. I'll admit that I'm an old school Technical Director and set in my thoughts as to what a switcher was and what a switcher should be. But, I'm always looking for new and exciting gear to make live production easier. Assistant Technical Director and Production Bot guru Nick Walsh showed me the ins-and-outs of the Production Bot Switch 8 — and I must say I'm pleasantly surprised by what this little switcher can do.
Published on Monday, July 2, 2018 10:00 AM
AbelCine LA Celebrates Upgraded Facility with Open House
AbelCine recently hosted an Open House at their Burbank facility to celebrate its renovation and expansion. An estimated 300 people attended throughout the day, participating in seminars, chatting with AbelCine’s technical specialists and staff, and networking with colleagues.Over the course of the day, AbelCine’s brand new theaters were packed for free technical seminars on a variety of topics, including ARRI Cameras & Accessories, Sony Super35 Camera Systems, Canon Cinema EOS, and the Phantom Flex4K. Cinematographer and director Sony Behar teamed up with AbelCine’s Andy Shipsides for a presentation on “Choosing the Right Camera.”
Published on Wednesday, July 31, 2013 5:41 PM
How Live Streaming is Shaping the Industry & What We Can Expect the Future to Look Like
Live streaming is continually evolving as one of the main ways to share and receive realtime information. Brett Casadonte, President and Chief Technical Director, GlobeStream Media LLC talks about how live streaming is currently shaping the industry and its future impacts.
Published on Friday, October 11, 2019 10:00 AM
Sun Screens Productions switches to EVS’ Dyvi for the latest season of American Idol
With the popularity of live competition TV shows continuing to increase and attract bigger audiences, the production levels required to make them have never been higher. Consequently, it’s now common practice to employ a second technical director or “screens TD” along with the lighting department’s graphics server operator to create the look and feel of the extravagant LED video tile-intensive sets. For most live productions today, a “screens team” along with the LED tech is usually needed to manage the LED tiles, as many of the stages have millions of LED pixels and countless lighting rig configurations.
Published on Friday, September 20, 2019 10:00 AM
Demystifying the Cloud for Post-Production
One of the biggest challenges facing post houses today is the unrelenting pressure to create more and better content with fewer resources, and to get it completed faster. This is happening at a time when the fundamental technical underpinning of the industry is changing rapidly, adding a significant layer of complication.
Published on Monday, October 26, 2015 10:28 AM
Diving Into the ARRI Academy Certified Camera and Cinematography Workshop
Matt Siegel, Director of Photography, talks about being an instructor and more about the ARRI Academy Certified Camera and Cinematography Workshop.
Published on Wednesday, March 13, 2019 10:00 AM
Going for the Gold: Producing the Olympics
Is it just me, or does it seem like the Summer Olympics just happened yesterday? In reality, the 2018 Winter Olympics, which will be in Pyeongchang, South Korea, are right around the corner. Now more than ever, there is an ever-increasing demand for complete Olympic coverage on every delivery platform. Technical logistics and planning along with perfect execution are taking on a whole new meaning. HD and 4K HDR?
Published on Friday, January 19, 2018 9:22 AM
Showing page 1 of 8