42 blog posts found matching keyword search for: VFX Artists in Nevada
Search for the UK’s leading VFX studios on Google Maps. You’ll likely find your pointer launched into the hustle and bustle of London’s Soho hub.
Antoine Fuqua’s Southpaw tells the story of Jake Gyllenhaal's Billy 'The Great' Hope and his struggles not only inside the boxing ring, but also facing his inner demons to win custody back of his daughter. The film exudes both grit and glamour -from the lavish lifestyle of a pro fighter, to the hardships he faces in his personal life - and Fuqua wanted to convey absolute reality. Aside from the typical underdog fighter turns boxing champ story, Fuqua wanted to present boxing in its raw form, causing viewers to feel every jab as if they were in the ring.
The VFX team behind Showtime's hit series Escape at Dannemora, which swept up the best actress win at the Golden Globes, talked to ProductionHUB about their in-depth work recreating the places and events of one of the strangest jailbreaks in history.
TNT’s series Snowpiercer follows the survivors of Earth’s second ice age as they live on a train that travels the planet through snow and ice. The second season of the series further explores the desolate world outside of the train. FuseFX’s VFX supervisor behind season 2, Damien Thaller, talked to ProductionHUB about how the visual effects really help to build the frozen world outside of the train — which includes building a snowy, icy, and destroyed image of many different cities throughout the world. The VFX also helped create over 1000 train cars and the visuals of the train ploughing through so much frozen snow and ice.
Significant Others, the creative finishing arm of UK-based creative editorial company Final Cut, is a bi-coastal collective of visual effects artists and other creatives specializing in commercial finishing. Best known for its commercial work, Significant Others also has a penchant and talent for finishing feature films, including the Academy Award-winning film “Moonlight.” We got the chance to speak with Producer Alek Rost about his experience working on the film, including what it was like to collaborate with Director Barry Jenkins and the tools his team used to give the film its unique look.
We’re in a time when live actors share the screen with puppets and avatars, shows like The Orville are taking onscreen space travel to a whole new level, and armies of walking dead are taking over the streets of Atlanta. And with real-time rendering behind the scenes, post production crews are doing it all at the fastest pace of all time. It’s an exciting time to be in visual effects. With technology advancing rapidly and many of the previous obstacles falling away, it’s also a highly competitive and challenging time. For more on the subject, we talked to an industry veteran.
Visual Effects Supervisor & President of BluFire Studios Talks Creating VFX for the CW's "The Outpost"
ProductionHUB sat down with President & Visual Effects Supervisor of BluFire Studios, Matt Hoffman, to talk about the CW’s new fantasy-adventure drama series The Outpost. Using Blackmagic Design’s Fusion Studio VFX and motion graphics application, his team created other-worldly characters.
Monster 500, the post-apocalyptic mega-race is on, and animation/visual effects studio Clockwork VFX is the creative winner. The studio teamed with agency Rotter Creative Group and Toys "R" Us to launch the new Monster 500 brand. The result is an engaging minute-long spot consisting of beautifully detailed 3D animation. With 13 team members working for five weeks to complete the complex animation sequences, Clockwork’s creative skills, particularly their lighting, texturing and rendering capabilities -- were tested. Learn what equipment was used when creating their winning spot, along with industry trends, a partnership with Xbox and much more from Clockwork’s Creative Director/Co-Founder Jason Tomlins.
Oscar-nominated, Sundance and Cannes winning director/filmmaker Jessica Sanders talked to ProductionHUB about the challenges of breaking into the production industry and gave a behind-the-scenes look at her film, End of the Line, which premiered at Sundance earlier this year.
Continuing a long and collaborative relationship with Marvel, Animal Logic was invited by VFX Supervisor, Chris Townsend, to be part of the VFX Team on Captain Marvel – the origin story of an iconic galactic heroine.