13 blog posts found matching keyword search for: VOD in Thousand Oaks
A new film, now available on VOD and in select theaters right in time for Halloween, “Slice” from A24 and director Austin Vesely, follows some of the best supernatural beings we know and love - from ghosts and witches to werewolves. One of the main factors that went into crafting the look for the film is cinematographer Brandon Riley, best known to audiences as the cinematographer of HBO’s “The Shop” and several of Chance the Rapper's music videos. We talked to Riley about his work on the film, A24, working with Austin and Chance and more.
by Nina StreichModerator: Mike Green, Senior Director, Strategy & Development, ComcastPanelists: Eric Hybertson, Director, Rendering Devices, Time Warner Cable Glen Stone, Convergence Strategy and Standards, Samsung Electronics America Michael Bishara, VP/GM TVE, Synacor Damon Phillips, Vice President, WatchESPN & ESPN3
One of the most stressful, complicated things when you think about it, is getting quality video and audio in an environment where it’s next to impossible. One of the things I’ve ventured out to do, is get high-quality video and audio in the world of the outdoors. This was an easy task with the help of the LiveU Solo. LiveU has hit a home run with this product because it’s so easy to use and set up! (Even the least tech savvy person can go live in under 5 minutes. I know, because I timed it!)
Video streaming is permeating all aspects of society. Improvements in streaming video technology continue to make it more affordable and less complex, opening up virtually limitless use cases at home, at work, or on the go. Capture applications such as Periscope, combined with live streaming software and services and over-the-top (OTT) content delivery, enable us to shoot and broadcast high-quality video from any location to any source at any time.
Flash memory is finding increased use in client and enterprise applications because of its higher performance compared to hard disk drives. As the $/GB price of flash memory declines these applications are increasing. For professional media and entertainment projects dealing with higher resolution and higher dynamic range workflows, performance matters. We will look at developments in flash memory in digital media content capture and creation, post production, content distribution and even in archiving.
The 2013 NATPE Market & Conference in Miami is the only American program market serving the worldwide television community, and is known throughout the world as a key media event to attend. In addition to double-digit overall gains in attendance this year, NATPE welcomed 1,000+ domestic and international buyers to the milestone 50th Anniversary too, making it the highest number in more than five years, according to NATPE President and CEO Rod Perth.Starting with a classy opening night reception poolside at the Eden Roc Hotel, it was great bumping into familiar ProHUBBer Chad Crawford from Crawford Group. Not only did we bump into a few ProHUBBers while at NATPE, but learned plenty from some of the industry’s heavy hitters, famous faces and top notch execs.
My name is Eli Hershko and I am a photographer turned cinematographer turned director. It was a natural progression for me. I always was drawn to the moving images. I love being involved in the making of movies but I do not tend to shoot my own films. I just can't focus on both the actors and the image at the same time and since they both are equally important in my eyes I tend to look to a cinematographer that can take on the heavy toll of putting my story on film... or digital film in my case.
Congratulations. You did it. You finished your indie film. But, now you need to get people to SEE it. That’s where Smarthouse Creative enters the picture. We’ve worked with hundreds of independent filmmakers around the world to help them craft unique creative distribution strategies, while also supplying world-class film marketing and publicity services. That’s why you should believe us when we give you the following breakdown of what you’ll need to successfully market your film.
Ok, so lets start off slow so your can (maybe) wrap your mind around just how much time, money, (1.23 billion paid in rights fees alone in the U.S.) equipment, and logistics, go into this awesome spectacle called the 2016 Rio Olympics. But before we can move forward lets go backwards just for a second so one can understand and compare the scope of the production. Lets say you’ve been asked to produce a local college basketball game. Maybe 6 to 8 weeks out. No problem. One or two production trucks, maybe eight or 10 cameras, gfx, transmission, audio, just one venue.
I recently attended the 20th annual Real Screen Summit in Washington D.C. This mid-winter convocation has become the pre-eminent gathering of buyers, distributors and producers of reality TV, documentaries and other non-fiction programming in the Americas. Consequently, it also attracts hundreds of producers working in these genres eager to distribute finished or nearly finished programs, and to pre-sell projects in varying stages of development.