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When looking to produce a high-quality video, some people and companies experience sticker shock at how much one will take to produce. This is largely due to the ubiquity of video: because we see it everywhere, there's a misconception that it must be cheap to produce. But like most things in life, you'll get out of it what you put into it.

Before the ink is dry on your yearbook, you may already be armed with interviews and 'setiquette' tips from your mentors. Here's 9 ways to jump start your career after you graduate.

At WorldWise Productions, we get this type of question a lot. Clients tell us approximately how long they’d like their video to be, and then ask us to give them a quote based on the length. That’s when I like to put on my Video Production Professor hat and take them through the following explanation.

Director/Editor Ernie Gilbert has a pretty outstanding track record when it comes to his stint in the industry — including assistant editing on Emmy, Golden Globe and Peabody award-winning shows like Baskets (FX), Atlanta (FX), and Barry (HBO). He has also worked with some of the largest ad agencies in the world and brands like Jordan, DirectTV, Banana Republic, Reebok, American Eagle and Fox Sports. In addition to his film work, he has edited music videos for the likes of John Legend, Trippie Red, 2 Chainz, Schoolboy Q, Linkin Park, Portugal the Man and Shawn Mendes. In 2018, Ernie was nominated for a VMA for best editing on Childish Gambino's "This is America," which has over 500 million YouTube views.

What is good or bad “set etiquette”? Depending on where and how you got involved in production, and your experience level, I’m sure everyone probably has a different idea how to answer this question. I can only speak to my own experience and style, which I’ll share here.

For people who are new to the world of video production, and what goes into producing a high quality piece of work, it can be a little surprising how much planning is involved. Sarah Hickey, creative director and founder of Melbourne based film and video production company Monster & Bear, helped to break down some of the key aspects of pre-production to help with the smooth sailing of your project once on set.

Editor Robert Komatsu just received an Emmy nomination for editing the pilot episode of Mrs. America titled "Phyllis." Aside from this nomination, Mrs. America received nine other Emmy nominations for Outstanding Limited Series, Outstanding Lead Actress in a Limited Series or Movie (Cate Blanchett), Outstanding Supporting Actress for a Limited Series or movie (Tracey Ullman, Margo Martindale, Uzo Uduba), among others.

Recently we got an exclusive look behind the scenes of the Gal Musette music video "Je vois le ciel"with cinematographer Wes Cardino & director Maria Garcia. They spoke to us about style choices, creative processes, and some of their biggest influences.

To try or not to try? Join us as we get an inside look into the inception of Longshot Collective, a team conceived by a group of film students grappling with the uncertainty posed by the COVID-19 pandemic.