22 blog posts found matching keyword search for: Video Engineers in Clearwater
Over the past decade, most of the world has adopted some form of loudness legislation for television. This is wonderful news for casual viewers who understandably hate loud commercials, as well as for the Federal Communications Commission (FCC), which received approximately 1,000 complaints and 5,000 inquiries about excessively loud TV commercials between 2008 and 2012. But, for those who work in television post-production, it can complicate matters somewhat.
With translation, your films and videos, or those of your clients, can reach an international audience using dubbing or subtitles. For some of you out there in the Production Hub world, adding translation services can mean another stream of income. It also means that you can become a one-stop shop.
If you are a video production company or an independent producer, you’re part of an exciting time in our industry. Each year, the amount of video on the Internet increases exponentially. This year, Cisco reports that 80% of Internet traffic will be generated by video content.
Box, Brunch and Beats. is a virtual fitness event hosted by EverybodyFights (EBF.LIVE), an authentic boxing-inspired group fitness training camp created by George Foreman III. Because of COVID-19, EBF moved most of its classes online so that members could keep active and in touch with the EBF community. Historically, the mission of boxing gyms beyond the sport has been for community outreach: people of all backgrounds come together for advancing the mind, body, and soul. EBF is no different -- they could see their community hurting and wanted to do something to help. Rob Maloof, producer and DP at Gauntlet Films, has his office above EBF and decided to step in to help EBF LIVE with the live stream of this event specifically. He relied on two Pocket Cinema Camera 6Ks and ATEM Mini Pro live production switcher to make it happen.
Recently, I was contacted through ProductionHUB to shoot a VR video tour for Lima Corporate, an international, cutting edge medical device manufacturer and 3D printer. The facility is connected to NYC’s Hospital for Special Surgery (HSS). Lima’s engineers work directly with HSS surgeons to 3D print titanium medical devices, which help patients regain lost physical mobility. I was excited for the opportunity, but there was one caveat—we were in the middle of the Covid-19 pandemic lockdown.
It's safe to say Panasonic's VariCams are quite the hot ticket item for production pros, find out exactly what it is that has these cams creating industry buzz.
Smaller Productions Receive a Bigger Infrastructure Boost with the Introduction of Single-Node Storage Solutions
Like other market segments, the motion picture and video production industry is dominated by smaller productions and facilities. Until now, the only option for this portion of the market to take advantage of the performance, fault-tolerance and ease of management of a modern scale-out storage platform was to invest in a storage cluster consisting of three storage nodes and at least one metadata controller. While this configuration is ideal for mid- to large-sized productions, the typical 96TB capacity of the smallest three-node cluster was often far beyond the requirements and financial means of smaller facilities and media shops.
As I mentioned in our first Pivot Point, smart production companies are moving incredibly fast to shift from the “traditional” production model. This shift has forced companies to evaluate and change plans on the fly. One such company is Events United located in Manchester, New Hampshire. We caught up with the crew while they were catching their breath and getting ready for their next production.
Making any kind of film is time consuming and expensive. A large part of the cost comes from buying, or more realistically for a student crew with just a handful of people, renting high quality equipment. Not least because insurance could make the rental prohibitively expensive.
With COVID-19 corporate shut downs and a massive shift to remote or furloughed workforce, the post-production industry and their teams have been one of the hardest hit. Teams are scrambling for solutions with a limited remote workforce that allows post-production projects to continue while maintaining social distance.