169 blog posts found matching keyword search for: camera crew in Brownsville
The industry continues to grow more and more each year with women filmmakers stepping into critical roles, from directing to camera operation, production design and editing. Each year, ProductionHUB celebrates a few incredible women in the field by highlighting their accomplishments, their stories and advice they have for other women in the industry.
by Bradford HillThe Canon XA25 Pro HD Camcorder is a compact 1/2" inch CMOS Sensor Camera with a lot of great and unexpected stand-out features. To start, its full auto & manual modes, its two XLR inputs, and an HDSDI slot packaged with the ability to shoot 1920x1080 at 59.94p are notable. While traveling on shoots, I was impressed with the capability to be able to record 1080p at 60fps within a moment’s notice. This frame rate is a new feature to the Canon line of cameras, which gives this camera a competitive edge. It is also easy to manage when set to auto mode, which comes in handy if a novice needs to use the camera on a small crew shoot, or to simply capture any ‘run-and-gun’ footage.
Real-time Augmented Graphics that Blend the Real and Virtual Worlds with Marker-less Camera Tracking
Augmented graphics have come a long way in the past decade, from formerly rotund weatherman Al Roker obscuring the first two days of the seven-day forecast to reporter Jessica Yellin channeling a holographic Princess Leia while discussing results of the 2008 presidential campaign with Wolf Blitzer. Fast forward ten years and the real and virtual worlds are blending into one.
Director Joseph Oxford and cinematographer Bradley Stonesifer created a unique live action short film “Me+Her,” which was accepted into this year’s Sundance Short Film program. What makes this film so special is that Joseph and Bradley created an incredible imaginary world where all of the main characters and sets were built out of standard cardboard boxes. While any film admitted into the Sundance competition is going to look amazing, the fact that Joseph and Bradley captured stunning images using only cardboard really sets this project apart.
Chris Boyle is a nomadic inventor who strives to keep one foot in the laboratory and one in the sand. SOLOSHOT is a great new tool for filmmakers, videographers, and indies. It's a cost effective way to create stellar shots and a great way to take care of filming as if you had your own ESPN cameraman filming the game for you. With gear like SOLOSHOT coming on the market, Boyle, SOLOSHOT's CEO and is Chairman of the Board, thinks it's possible that they’ll start to see studio sized scenes like Braveheart coming from independents. Learn how the idea of SOLOSHOT came to be and where it will be in the future.
Whether you need one camera operator or a full crew, our Production Managers will work one-on-one with you to make sure you have every position filled in time for the cameras to start rolling. Sit back, and let us do the crewing so you can focus on the important details.
Your crew is lined up, interviews are booked and you’ve chosen your seat on the plane. There’s one other important thing that has to be planned before your shoot: how are you going to get that footage out of the camera?
Over the years I have had the opportunity to work with some of the best and brightest minds in sports production. Everybody involved in the production side of things has brought their own unique style and expertise to the table - outstanding producers and directors, technical directors, audio engineers with mad skills, rock solid camera ops, and dare I say hundreds of other technicians, grips, and production assistants, and just a lot of other people that make great sports productions happen. But all of the people I have just mentioned whether they were part of a big crew, or of just a crew of two have one thing in common.
The first day of shooting is always an exciting time for cast and crew, but it wouldn’t be possible without the months of pre-production that brought everyone to the set. You’re probably familiar with Edison’s quote about genius being 1% inspiration and 99% perspiration. Think of production as 1% realization and 99% preparation.
As a video producer or production company, booking a local freelancer for your client-facing shoot is not a task to take lightly. Book the wrong person and you’ll be in quite a jam. Going through the freelance hiring process is half like giving a job interview, and half selling the crew member on the excitement of the project. So it’s certainly both an art and a science. After booking for hundreds of outside freelance crew members, I’ve assembled six key items to look for to avoid disaster and make your out-of-town production a success.