71 blog posts found matching keyword search for: camera operator
The 2018 Winter Games in PyeongChang presented broadcast professionals with some of the harshest winter temperatures and conditions. From extreme cold, with temperatures in the negative digits, to high winds and snow storms, the winter elements were at their best. No stranger to these elements, Specialty Camera Operator Corey Koniniec was prepared and ready when selected by NBC to record all aspects of the snowboarding and skiing competitions in PyeongChang. His use of Core SWX to power his RED cameras for the long, cold 10-hour days throughout the two-week assignment of a lifetime provided him with successful and rewarding results.
What does it take to create the world’s first 24 hour music video? A kickass crew of creatives and no time for second takes, that’s what. Pharrell’s “24 Hours of Happy” music video has been shared, watched and danced to all across the web, and the fact that it was shot in just 10 days deserves a bit of a happy dance all on its own. Catch up with Jon Beattie, Steadicam Operator of the music video and learn his trick, tips and advice on being part of such an unforgettable project.
Matt Leonetti started his career as a camera operator & quickly became a full-fledged cinematographer shooting iconic films, including Poltergeist, Fast Times at Ridgemont High, Weird Science, Jagged Edge, Star Trek: First Contact, Dawn of the Dead, The Butterfly Effect, and Rush Hour 2. Forty years after his first role as director of photography on Bat People (1974), Leonetti continues to shoot, including the upcoming Dumb and Dumber To. Learn how Leonetti paved the way to his success, with tips, advice and much more.
The polishing of a stone by a river takes many years. So, too, does the evolution from Camera Operator to Director of Photography. I have observed this metamorphosis occur over the past three decades with our own DP Mark Schulze, who is my partner and husband.
by Kholi HicksBlackmagic Design’s first Cinema Camera offers great value in a small package: 13 stops of dynamic range, 2.5K Resolution, Linear RAW data in an open-source format (Cinema DNG), options to acquire in high quality, straight-to-the-edit industry standard formats such as DNxHD and ProResHQ, as well as both PAL and NTSC options in one single unit.
Matt Siegel, Director of Photography, talks about being an instructor and more about the ARRI Academy Certified Camera and Cinematography Workshop.
The camera crew behind the hit FX TV series The Americans chose Vitec Videocom brands to support the production through its second season. The show’s cinematographer Richard Rutkowski, and camera assistants Brendan K. Russell and Rory Hanrahan, rely on Anton/Bauer batteries and chargers, Litepanels LED lights, and OConnor fluid heads and tripods for their reliability and durability during stage and location shoots, which helps keep the show on pace and on budget.
From running around as a kid with a 35mm black and white camera, to renting a camper van and driving through New Zealand for a month while I took pictures of all my surfing adventures, I have always wanted to take my love of nature, people, humanity and technology and bring them together.
I might not send this one back. Ok, I know I say that a lot (like all the time) but in this might be the case this time, not kidding. After shooting with the Panasonic AU-EVA1 over the last several weeks I have come to the not so modest conclusion that this is one heck of a camera. I say that in the midst of a stream of new or updated cameras from a bunch of manufacturers that started in mid-2017 and haven’t stopped yet. So what makes the Panasonic EVA1 stand out? Thought you would never ask.
The industry continues to grow more and more each year with women filmmakers stepping into critical roles, from directing to camera operation, production design and editing. Each year, ProductionHUB celebrates a few incredible women in the field by highlighting their accomplishments, their stories and advice they have for other women in the industry.