86 blog posts found matching keyword search for: camera ready
Ok, as said in NAB Part I, there is a lot going on for NAB this year. We are a mere few days away from 2017 NAB and you can feel the energy level starting to really pick up. Ask anyone on the ProductionHUB team and they will tell you the shear amount of news coming in from over 1700 exhibitors is a lot of info. But not to worry, I’ve cherry picked more of the must see booths at the show. NAB Part II is going to be a blast. But if you don’t see your favorite lens or gear here, be sure to check out our very own NABHUB.com or Facebook. From the Beginning: Yes, It IS All About the Lens!
As a producer/director/shooter I’m always looking for the best way to maximize the investment of time and money. When it comes to purchasing and getting new gear into the production flow you need to do your homework. Listed below is but a few of the thousands of camera support products that are out there. But hey, that's why we’re here! The trick is to choose the right gear to stay within your budget and still come out with outstanding content. Easier said than done. But here is the good news. Getting new gear doesn't have to break the bank, and if you play your cards right, new gear can even pay for itself over time. So with that said lets’ check out some of the latest camera support gear and rigs that will take your production values to the next level.
When I got the delivery of the Blackmagic Design Micro Studio Camera 4K, I was instantly very curious. I am thinking to myself, OK, a small 4K camera, not exactly a brand new idea. So how would it stack up? What would the image quality be? There are other cameras in the small 4K space that make really nice images. So what would set the Blackmagic Design 4K Micro apart from the rest? Get ready for an interesting twist on how Blackmagic delivered with really solid, exceptional picture quality.
The 2018 Winter Games in PyeongChang presented broadcast professionals with some of the harshest winter temperatures and conditions. From extreme cold, with temperatures in the negative digits, to high winds and snow storms, the winter elements were at their best. No stranger to these elements, Specialty Camera Operator Corey Koniniec was prepared and ready when selected by NBC to record all aspects of the snowboarding and skiing competitions in PyeongChang. His use of Core SWX to power his RED cameras for the long, cold 10-hour days throughout the two-week assignment of a lifetime provided him with successful and rewarding results.
by featured blog contributor, Jeremy PinckertYou’ve collaborated on the storyboards, you've charmed on the conference call, you've nailed the pitch, and now you've won the job! It's Monday morning, and for once you're actually looking forward to making the harrowing commute...Starbucks is pulsing through your veins and you're ready - no you're stoked - to embark on that big-brand TV shoot. And then your phone interrupts your pump-up music on the BPM channel. Your apologetic producer is on the line and gently breaks the news: you don't have the money in the budget for that gorgeous steadicam shot you built into the boards. The steadicam shot that left you so inspired to direct this project in the first place. The buttery smooth eye-pleasing delicacy you were going to build your reel around. Options quickly flood into your brain: You could cash in the 401k, or even worse, call in favors from those famously curmudgeonly, hard-working steadicam operators just to get a shot like the famously long, intricate, and beautiful steadicam shot in Martin Scorcese's "Hugo" below:
Real-time Augmented Graphics that Blend the Real and Virtual Worlds with Marker-less Camera Tracking
Augmented graphics have come a long way in the past decade, from formerly rotund weatherman Al Roker obscuring the first two days of the seven-day forecast to reporter Jessica Yellin channeling a holographic Princess Leia while discussing results of the 2008 presidential campaign with Wolf Blitzer. Fast forward ten years and the real and virtual worlds are blending into one.
Spent: Looking for Change, from Academy Award-winning executive producer Davis Guggenheim (An Inconvenient Truth, Waiting for Superman) and cinematographer Greg Ephraim (All Cheerleaders Die) premiered online on The Young Turks' YouTube and Hulu channels. The film was shot by Ephraim on the Canon C300 and the EF and cinema lenses; the camera’s small profile and ease-of-use helped the filmmakers capture an intimate look into the lives of four American families wrestling with the costs of living outside the traditional financial system. Greg Ephraim takes us behind the scenes on his film-making experience on the documentary.
Let’s tee off some action items and take a streamlined approach going forward that’ll really push the envelope and leverage our success. Got your spreadsheets ready? It’s time to go corporate.
These 10 tools are for those who want to enhance their awesomeness in their video production and/or want to uphold a professional video service for clientele. These aren’t just 10 things that maybe you should check out sometime, think of them as part of your “Video Kit”. If you want to be the video pro who’s confident and ready to go when asked to do a job, then you need to have some things in place. Before going “out there,” you should set up the resources you need in a way so they’re accessible at all times.
These 10 tools are for those who want to enhance their awesomeness in their video production and/or want to uphold a professional video service for clientele. These aren’t just 10 things that maybe you should check out sometime, think of them as part of your “Video Kit”. If you want to be the video pro who’s confident and ready to go when asked to do a job, then you need to have some things in place. Before going “out there,” you should set up the resources you need in a way that they’re accessible at all times.