7 blog posts found matching keyword search for: compliant in Winter Park
With clients like Apple, Marvel & McDonalds, Epic Digital knows a thing or two about how to create a successful business in the animation world. Learn the necessary skills to become a successful animator, tips to break though the industry & more.
Today’s reality TV productions are ambitious in their size and tight broadcast schedules, requiring a multitude of impressive engineering feats. When not tracking every move of a housewife, psychic medium or celebrity, other shows such as Hell’s Kitchen, America’s Got Talent or The Voice closely follow the progress of contestants and are broken up into segments: the documentary portions that tell the back stories of contestants, the behind-the- scenes shots that show the contestants preparing for the competition, and then the (sometimes live, sometimes not) actual competition portion itself.
SMPTE was hosting a major push on the IMF specification (SMPTE ST2067) with the Digital Production Partnership (DPP) out of England. The IMF specification was created to make the Interoperable Master Format (IMF), interoperable, so vendors and customers could use it. The IMF standard requires changes in the way that content is created in order to make greater efficiencies for broadcast and online content distribution. In addition to SMPTE and DPP, the North American Broadcasters Association (NABA), The European Broadcasting Union (EBU), several manufacturers and end users have been involved in making the IMF specification.
In the short history of drones, acquiring authorization to fly has been a real hassle. FAA regulations require that you provide advanced notice and be cleared before take off—even for a flight under 400 feet. But a new app called LAANC promises to make life easier for drone pilots and operators who want the freedom to launch with ease at a moment’s notice.
First off, let me preface this review by saying nothing brings me more joy than getting a camera to try out and review. Some of the cameras I get are good and others are (in my mind) fantastic, great and all that. The Sony FS7II falls squarely in the second category. The second and maybe the more important set of questions are simple. I always ask myself, what would make me want to buy this camera? Secondly, what would compel (you) want to go out and buy this camera? Lastly, when it is all said and done, does it fit into what I am doing production-wise?
Whenever a year begins, I've always found it beneficial to reflect and prepare for the changes and challenges each new year brings. Today I’m going to focus on something invisible to most, that soon will become a very visible problem. However, with proper planning and awareness, the impact of a problem can often be reduced or eliminated entirely.
With over 1600 exhibitors, crunching the ProductionHUB Awards of Excellence list down to just 12 outstanding winners and five special mentions was not an easy task. Getting things right never is, is it? It was incredibly hard to put this list in order. Congratulations to all of this year's winners!