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At the age of 85, U.S. Supreme Court Justice Ruth Bader Ginsburg has developed a lengthy legal legacy while becoming an unexpected pop culture icon. But the unique personal journey of her rise to the nation's highest court has been largely unknown, even to some of her biggest fans – until now. RBG explores Ginsburg's life and career. DP Claudia Raschke answers a few questions about working on the film.

How do you tell the story of an icon of the Women’s Movement and powerhouse behind the fight for women’s rights? You assemble a team of talented, creative, and passionate crusaders in their fields to direct, produce, and edit the documentary. You include professionals who bring a depth of experience as well as newer associates who add cutting-edge technical skills — all women, all impassioned by the inspiration of the woman herself, Ruth Bader Ginsburg, Chief Justice of the Supreme Court of the United States.

While computer animation is often a crucial tool for telling a story, filmmaker Denise Ohio used 3D CGI to help her actually understand the historical event that is the subject of her documentary, Verona: The Story of the Everett Massacre (2017, 105 minutes, Virgil Films).

Dan Patrick is synonymous with sports broadcasting excellence. I've been a fan of Dan Patrick for years, so getting to tour his new studio was a real treat. Eric Jones, Associate Director of Creative Operations for AT&T, gave us an inside look at the studio and how it came to be.

Video streaming is permeating all aspects of society. Improvements in streaming video technology continue to make it more affordable and less complex, opening up virtually limitless use cases at home, at work, or on the go. Capture applications such as Periscope, combined with live streaming software and services and over-the-top (OTT) content delivery, enable us to shoot and broadcast high-quality video from any location to any source at any time.

Culver City, California native Production Designer Korey Washington has designed for theatre, television, film and tours for the past three decades. His design projects include All American, Rectify and currently Ambitions for the OWN Network. He also spoke exclusively with us regarding his work on the TV series All Rise, including developing characters beyond their jobs, the emotional ties to the sets he built, and more.

Expanding and enhancing the fan experience at the game has long been a goal of sports stadiums and arenas. From over-the-top, wrap-around video displays to AI driven robotic cameras or the latest display monitors, today's fans don’t want to miss a thing.

by Jessica NinModerator:Randy Thornton, CEO & President of Warner/Chappell Production Music Speakers: * John Houlihan: Music Supervisor, “Training Day,” “Austin Powers,” “Vegas”; VP, Guild of Music Supervisors * Jeff Lusk Music Supervisor and Sound Designer, Warner/Chappell Production Music * Alexandra Patsavas Chop Shop, Music Supervisor, “Grey’s Anatomy,” “Mad Men,” “The Carrie Diaries” * Edwina Travis-Chin Music Director, APM Music Session Description:So many successful films and television shows feature memorable music that strikes the perfect balance between what is seen on the screen and what is felt by the viewer. From haunting ballads to hard-driving rock and roll, much of this is accomplished through a mix of both production music and original scores. Leading music supervisors know how to work with both. In this panel of industry executives and working music supervisors, learn how the pros determine the best approach to achieving the desired mood for a film. Produced in partnership with the Production Music Association (PMA) and the Guild of Music Supervisors.

How would COVID-19 safety protocols have affected 2000’s “Erin Brockovich?” Epitome's Pandemic Production Safety Experts examine this Soderbergh classic.

On any given production set, there are a wide variety of jobs that help bring each and every project to life - including editing, coloring, producing, directing - the list goes on. Historically speaking, the industry has been male-dominated. The Celluloid Ceiling Report states that by role, women comprised 18% of directors, 19% of writers, 25% of executive producers, 31% of producers, 21% of editors, and 7% of cinematographers last year. Films with at least one woman director employed substantially more women in other key behind-the-scenes roles than films with exclusively male directors. However, the tides are changing, and quickly. An increasing number of incredible women are assuming these roles and are continuing to have a major impact on the industry as a whole. Each year, we aim to spotlight a few of these incredible women, to help shed a light on their stories, as well as inspire other women to bring their own dreams and talent to life.