125 blog posts found matching keyword search for: editors in Baton Rouge
In an industry where gear plays such an important role, you know a piece of equipment is worth a look when it becomes the consensus choice of the pros. For many, the Sony FS7 has achieved that status among cameras currently on the market. For the scoop on this topic, we interviewed Tammy Rogers, a seasoned production manager with a pulse on what video service clients and providers are talking about.
Every winter in Utah, the Sundance Film Festival becomes the ultimate gathering of original storytellers and audiences. The festival includes dramatic and documentary features and short films; series and episodic content; and New Frontier, showcasing emerging media in the form of multimedia installations, performances, and films. When you attend Sundance, you can expect to attend daily filmmaker conversations, panel discussions, and live music events.
Directed by Aneesh Chaganty and starring John Cho, Searching proves just how powerful technology has become by bringing viewers into the story through the lens of one MacBook and iPhones. The editors used Adobe Premiere Pro to craft a suspenseful narrative of a father searching for his missing daughter under the unique confines of FaceTime conversations, iMessages, Google searches and live-streamed news. Editors Nicholas D. Johnson and Will Merrick shared their experience working on the film, its challenges and upcoming projects.
As another year comes to a close, we’ve taken a look back at some of the major creative trends that took over the industry in 2018, which have also helped us understand where the industry is headed and given us a glimpse into which trends will reign supreme in 2019.
by Bradford HillSession Notes from "How SNL Produces Short Films in 48 Hours or Less" at the NAB Show. Speakers: George Winslow, Rhys Thomas, Stacey Foster, Alex Buono, Adam Epstein(Basically, the SNL Film unit produces killer shorts in less than the time it took me to write these session notes). First, they kicked off the session with a montage of some of the best recent SNL shorts, including ‘Red Flag’, “Sopranos Diaries” and the “Real Housewives of Disney”. See More Here: http://www.rhyst.com/filter/snlThen they showed my personal favorite, the Louie CK parody “Lincoln.”How many of you would have guessed that happened in the wake of Sandy? More to come on that later.
Quibi and the ATTN: team are gearing up to debut the new "Your Daily Horoscope” daily animated series. Taye Shuayb, VP of Production at ATTN, and team, which includes designers, animators, compositors and editors, counts on Adobe to edit and deliver 12 minutes of animation everyday using a combination of Photoshop, Character Animator, After Effects, and Premiere Pro.
Editors, Sound Designers & VFX Artists Share Their Secrets at MEW’s 6/8 EventBy N. HalpernOn June 18th, the Manhattan Edit Workshop presented “Inside the Cutting Room: Sight, Sound and Story,” a series of panels on post-production techniques. The day’s events included panels that ran the gamut from picture editing, to sound design and visual effects. Here are some highlights from the day’s panels.In the afternoon panel “Anatomy of a Scene: Documentary and Narrative Editors Deconstruct their Work” film editors Michael Berenbaum, David Tedeschi, Jeffrey Wolf, and David Zieff screened and discussed sequences from documentary and narrative film projects, charting the processes of their respective developments.
This month, Quibi launched its much-anticipated platform for video content. With advanced tools like Auto Reframe, position-aware motion graphics, flexible workflows for previewing and the ability to create export presets, Premiere Pro offers an ideal production environment for delivering crafted video for Quibi. We have created a Premiere Pro workflow guide for editors and production companies who are interested in creating or adapting video for the new platform.
Adding music to a film can add power and interest to the production. And when the music is an integral part of the story, the power is multiplied. Filmmakers, creative editing company editors and sound engineers need to work together to realize the full advantages of using music in their film.
by Michael Valinsky After initially meeting at Manhattan Edit Workshop's Inside the Cutting Room event, we followed up to talk further with Emmy-Award winning editor Arielle Amsalem at Third Rail Coffee in Greenwich Village, NYC. One of the most promising up-and-coming documentary editors today, we had the opportunity to ask her a whole range of questions. Here's our fully-caffeinated interview.