24 blog posts found matching keyword search for: film score in Syracuse
Award-winning composer and songwriter Cormac Bluestone currently scores Fox's The Cool Kids, executive produced by Charlie Day. Cormac frequently collaborates with Charlie and is best known as the composer for It's Always Sunny in Philadelphia.
Supervising Sound Editor Mandell Winter has supervised sound editing and mixing teams for Apple's Defending Jacob, HBO's Outsider, & Quibi's #FreeRayshawn. Mandell received two Emmy nominations last year for his work on HBO's Deadwood: The Movie and Season 3 of HBO's True Detective. Additionally, in 2019 he received two MPSE Golden Reel Award nominations for True Detective, a third for Deadwood, and a fourth for What's My Name: Muhammad Ali. He talked exclusively to ProductionHUB about how COVID has altered his day-to-day, breaking into the industry (accidentally!) and what film made him tear up.
If you took a second to close your eyes and think about Star Wars, what comes to mind? What are you hearing? Laser blasters, light sabers, possibly a dramatic score by John Williams? For the major films in pop culture, music plays a major role in developing the themes and tone of the production.
Ezra Reich is a film composer and one half of the electronic duo ROOM8, known for their work on multiple shorts, the feature film Cuck, soundtrack available on Lakeshore Records and the upcoming documentary, Absolute Power, about a scandal involving the Nasdaq.
You’re at the one-yard line: You’ve locked down a sales company or distributor and they now want you to deliver the film and all of its elements for International sales/distribution. What comes next is the seemingly little-known, final gauntlet of your film's journey: delivery.
How do you balance a burgeoning love story with laugh-until-your-stomach-aches comedy through music? We spoke to film composer Miles Hankins about his work on Long Shot, a new romantic comedy starring Charlize Theron and Seth Rogen. Hankins gives us an inside-look at composing a score that pulls your heartstrings while making you laugh out loud.
You know sometimes we make such a big deal out of cinematic production that it has been said we forget about the importance of audio. I don’t think that is true at all. If anything, we should spend a lot more time thinking these days about how the audio plays such a big part in the whole production process. Which mics are we going to use? What sound fx? Who is doing the music? Is it an original score? All those questions must be answered because audio matters.
Audio Network has recently introduced their World Documentary Series, a collection of beautifully recorded cinematic scores that evoke scenes from around the globe. Ali Johnson, Audio Network Global Head of Music, gives us an exclusive look into the idea behind the series.
In film, soundtrack is just as important as visuals for telling the story - it helps to fully convey the intended emotion of a scene, establish continuity and add momentum.
Editor Phil Bowman has built a wealth of career experience in fiction and documentary that cover military missions, true-crime, and ghost stories that cross into sci-fi. On Avid Media Composer, he has cut the feature film Pickups starring Aidan Gillen (Game of Thrones) about the life of a jobbing actor, which premiered at the London Film Festival 2017, the Discovery show Gold Rush, which follows crews as they hunt for gold in the Yukon, and Obsession, a series telling the harrowing stories of victims of stalking.