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How Music Supervisors Set the Mood
by Jessica NinModerator:Randy Thornton, CEO & President of Warner/Chappell Production Music Speakers: * John Houlihan: Music Supervisor, “Training Day,” “Austin Powers,” “Vegas”; VP, Guild of Music Supervisors * Jeff Lusk Music Supervisor and Sound Designer, Warner/Chappell Production Music * Alexandra Patsavas Chop Shop, Music Supervisor, “Grey’s Anatomy,” “Mad Men,” “The Carrie Diaries” * Edwina Travis-Chin Music Director, APM Music Session Description:So many successful films and television shows feature memorable music that strikes the perfect balance between what is seen on the screen and what is felt by the viewer. From haunting ballads to hard-driving rock and roll, much of this is accomplished through a mix of both production music and original scores. Leading music supervisors know how to work with both. In this panel of industry executives and working music supervisors, learn how the pros determine the best approach to achieving the desired mood for a film. Produced in partnership with the Production Music Association (PMA) and the Guild of Music Supervisors.
Published on Thursday, April 18, 2013 5:55 PM
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