16 blog posts found matching keyword search for: multi-camera in Alpharetta
In a nutshell, SlingStudio is a complete professional multi-camera solution in a backpack. All of the tools provided for our review fit neatly into one regular size backpack. Of course, if you are using full-size cameras and tripods that might make for a pretty big backpack.
While the majority of Mainstream Media's live streams are multi-camera configurations, there are numerous situations where only one camera is needed. Events such as online learning modules, press conferences, electronic news gathering, and internal corporate broadcasts can be really successful with a simple one-camera setup.
It’s almost the Fourth of July and many of the production pros are loading up for the big outdoor production runs of the summer. But let’s face it — in reality, working outdoors can be a year-round challenge. From freezing rain and blistering heat too long days and nights, executing live multi-camera outdoor productions can be a daunting, yet exhilarating experience.
We asked Jeromy Young, CEO of Atomos for his thoughts on their latest recorders and what happens next for the company.
Nickelodeon is amping up the nostalgia with the re-release of some of the network's most popular 90s shows, including the fan-favorite All That, which will be a weekly sketch comedy series. Michael Franks, the cinematographer behind the new revival of the Nickelodeon hit series, answered a few questions about the revival.
Larson Studios and Post Haste Digital have recently joined forces to extend audio and video post services in West L.A. Here, they share two perspectives on selecting a post-production audio/video company: the questions that you as a client should ask a company before final selection, and as a company, how you should be responding to those questions.
Many of us “industry veterans” have marveled to see the exponential rate of speed at which our industry has grown. My partner, Mark Schulze, started our video production business “Crystal Pyramid Productions” in 1981. So together we have witnessed the advent of videotape (VHS, Beta (which met with a tragic death), ¾”, 1”, Betacam SP, D2 and DVCam). We moved from 4x3 standard definition to 16x9 HD. Then we abandoned tape and entered the digital realm of discs and cards. We held our breath during the “3D Scare,” thinking we might have to address the need for it with our clients. Fortunately, nobody seems to appreciate wearing those 3D glasses.
I was a bit skeptical when I saw Production Bot, the portable live broadcast studio, earlier this year at the NAB Show. I'll admit that I'm an old school Technical Director and set in my thoughts as to what a switcher was and what a switcher should be. But, I'm always looking for new and exciting gear to make live production easier. Assistant Technical Director and Production Bot guru Nick Walsh showed me the ins-and-outs of the Production Bot Switch 8 — and I must say I'm pleasantly surprised by what this little switcher can do.
With the popularity of live competition TV shows continuing to increase and attract bigger audiences, the production levels required to make them have never been higher. Consequently, it’s now common practice to employ a second technical director or “screens TD” along with the lighting department’s graphics server operator to create the look and feel of the extravagant LED video tile-intensive sets. For most live productions today, a “screens team” along with the LED tech is usually needed to manage the LED tiles, as many of the stages have millions of LED pixels and countless lighting rig configurations.
Live streaming is continually evolving as one of the main ways to share and receive realtime information. Brett Casadonte, President and Chief Technical Director, GlobeStream Media LLC talks about how live streaming is currently shaping the industry and its future impacts.