43 blog posts found matching keyword search for: pilot in Kerrville
Get the attention of television network executives who green light pilots when you attend the Media Maven Series: TV Pilot Breakthough, taking place December 12-14th in both Maryland and Michigan. In this event, you will gain insight on how to navigate through the entertainment industry’s selective pilot show process, along with tips and tricks from the pros. Learn from Charlotte Burley, an industry heavy hitter, on why this workshop is one not to be missed.
Here’s a HUGE issue that my contemporaries and I see all too often. Productions just know that they “need a drone” and lump all UAV’s into the same category. Now pay attention class because this is important: What you need is a skilled and licensed pilot/company that has the correct camera/drone/team combination for your production.
Working for heavy hitters like Paramount, Disney, Warner Bros. and Dreamworks doesn't come easy, but for ProHUBber Alex Gans, it's all in a days work. Learn what this industry pro has learned while climbing his ladder of success, creating his own production company and pitching his pilot to networks next year.
Exclusive Interview: DP Paul Cameron Talks The Commuter & What to Expect with Pirates of the Carribean: Dead Men Tell No Tales
If you loved the pilot of Westword, there is plenty more blockbuster magic to come from DP Paul Cameron. He talks in an exclusive interview with ProductionHUB, about the current film he's shooting, The Commuter, and provides a sneak peak into what to expect from the newest installament of the Pirates' franchise, Pirates of the Caribbean: Dead Men Tell No Tales.
left to right: Stephen Interrante, Joseph Saroufim, Peter Saroufim by Joseph Saroufim Second screen technology is becoming more common. We’re accustomed to interactive tweets during live TV events and applications that expand on televised content, such as the Game of Thrones app for HBO. What we haven’t seen much of, but certainly will in the near future, is the proliferation of narrative second screen content. This means that while viewers are watching the main screen programming, a secondary device (such as a tablet or smartphone) will provide synchronized content that enhances the viewing experience. Samsung has been a pioneer in developing the applications and infrastructure necessary to make this type of programming a reality. In 2012, the company launched the Samsung Second Screen Storytellers challenge in conjunction with the New York Television Festival. Our team created a demo that won the challenge and we spent the better part of 2013 creating D-TEC, a television pilot that has second screen storytelling in its DNA. As the first team to build a narrative second screen TV series from the ground up, we’re happy to share what we’ve learned.
I have to thank ProductionHUB for the best drone gig I had in 2017. I received a call from Jynx Productions from Yarmouth, Maine on a Tuesday, inquiring about a drone shoot to happen in 2 days. They were having a tough time finding a licensed drone pilot in Florida who also could be the main camera on a DSLR shoot. Luckily they logged onto ProductionHUB and found my profile. Fortunately, I was able to move a day of editing on another project, because I ended up capturing the best footage I have ever shot with my DJI Mavic Pro.
Unmanned aerial vehicles (UAVs) are taking over the skies. They’re being used for everything from “reality capture” (as detailed for businesses to sheer enjoyment by hobbyists. As regulations become clearer and equipment grows increasingly affordable and user-friendly, the production industry is taking up its fair share of the sky, too. More video crews than ever are certified to fly small UAVs for commercial purposes. For more on what this means for both production crews and clients looking to hire drone services, we talked to Ryan Goble, Senior DP and FAA-certified drone pilot at Running Pony.
Drones. I’m going to be real with you. They intimidate me. I, in general, am clumsy, unstable (not emotionally, thank you very much) and should not be piloting anything. But, there are a few things I understand immensely: art, creative advancements, and laws—at least enough to break them.
A 2001 graduate of Full Sail University, Frank Scheuring has worked in sound for television and film for nearly 15 years. During that time he has been a part of over 1,300 programs for clients such as Discovery, the National Geographic Channel, FOX, TLC, PBS, G4TV, the Smithsonian Channel, and a slew of independent directors and producers. In addition to his long form work, he has worked on hundreds of commercials and marketing videos for clients such as the Washington Capitals, Washington Wizards, Pfizer, Ford, and many political candidates. In 2014 Frank stepped into the world of producing with a TV series pilot called "Speed Freaks: The Science of Speed" and in 2015 produced his first feature length documentary, "Blood and Steel: Cedar Crest Country Club".
Last Christmas it was big news when the FAA required hobbyists to register their drones. What’s set to be the big news in 2016? The legalization of drones for commercial use. You may be asking yourself - wait, I can’t use drones in my business right now?