29 blog posts found matching keyword search for: raw data in Reading
Users are demanding more from their devices these days. Production monitors are no exception. When filming his latest project filmmaker Alan Stockdale turned to the Atomos Sumo19 HDR production monitor not only to view the image but also record it directly from his Sony FS5 in Apple’s exciting new ProRes RAW format.
by Corey Steib Kinefinity™ based in China is a new brand of professional digital cinema products including KineRAW cameras, KineMAG SSD, KineKIT accessories, KineStation transcoding software, KineGrip sidegrip, and more. The KineRAW cameras and related products are designed, developed, assembled in China by a team with passion, concentration, vision and technical background from high performance astronomy camera design.Now for the longest time, RED has been the big company to make 4K and higher cameras but now it seems that Kinefinity has announced their very own 6K cameras called KineMax along with the KineMini 4K Camera which are sure to make a lot of noise at this years NAB.
The Digital Cinema Society’s August event warmed up “THE GRID Los Angeles”, a 33’ x 60’ x 61.9’ staging and production space at DPS for an in-depth look at DPS Cinema’s Enhanced Environments process along with Panasonic’s VariCam35 and Codex’s new V-Raw Recorder-all in 4K.
by Kholi HicksBlackmagic Design’s first Cinema Camera offers great value in a small package: 13 stops of dynamic range, 2.5K Resolution, Linear RAW data in an open-source format (Cinema DNG), options to acquire in high quality, straight-to-the-edit industry standard formats such as DNxHD and ProResHQ, as well as both PAL and NTSC options in one single unit.
Large and unstructured data, such as that obtained with video, is often 50 times larger than the average corporate database. This “unstructured” data is projected to surpass 100 Zetabytes worldwide by 2020. Out of the several influencing factors driving this trend, the fact that content resolutions are rapidly rising is fuelling this growth even further. Not only is 4K going mainstream, but 8K and high dynamic range (HDR) content are becoming a more likely choice for a variety of applications such as corporate video, sports, and VR/AR.
Antoine Fuqua’s Southpaw tells the story of Jake Gyllenhaal's Billy 'The Great' Hope and his struggles not only inside the boxing ring, but also facing his inner demons to win custody back of his daughter. The film exudes both grit and glamour -from the lavish lifestyle of a pro fighter, to the hardships he faces in his personal life - and Fuqua wanted to convey absolute reality. Aside from the typical underdog fighter turns boxing champ story, Fuqua wanted to present boxing in its raw form, causing viewers to feel every jab as if they were in the ring.
Filmmaker Andi Hoffmann proves that with a lot of creativity and a little help from Atomos you can make a high quality, high concept music video - even without the very latest camera.
The last decade’s “democratization of filmmaking” is a truly wonderful thing. It has enabled more people to create via a lower barrier of entry, resulting in multimedia experiences that would never have seen the light of day several years earlier.
Speaking from personal experience, choosing each recipient of the NAB Award of Excellence gets harder and harder every year. There were so many great products and services to choose from at the show. Each panelist defended their selection of why a product should be on this list — and the competition was fierce. Out of the 1,700+ exhibitors, ProductionHUB congratulates these recipients of the prestigious 2018 Awards of Excellence (listed in alphabetical order).
What’s the difference between backing up content and archiving it? Does it really matter? People use the terms interchangeably at times, but there are key distinctions in how these technologies protect and preserve content that can have a big impact in media workflows, including their potential to conserve storage capacity.