53 blog posts found matching keyword search for: sound assistant
When it comes to bringing a story to life with sound, there's more to it than meets the eye... or ear. Woody Woodhall, CAS is President of Allied Post Audio in Santa Monica, CA and is an award winning supervising sound editor, sound designer and rerecording mixer. He has sound supervised and mixed feature films, documentaries and for television he’s VO recorded, sound edited and mixed hundreds of episodes of programming for MTV, Comedy Central, Food Network, Nat Geo, History, USA Network and VH-1 to name a few.
Sound Designers Jamie Mahaffey and Martin Taylor recently worked on the children’s animation education staple Octonauts, from the BBC. On December 10th, the pair won the Emmy for Outstanding Sound Editing and Sound Mixing for a Preschool Animated Program at the inaugural Children’s & Family Creative Arts Emmy Awards.
Just starting out in the world of production and not sure where to begin? A lot of people new to the industry (or "green" as we sometimes call it) get their feet wet as a Production Assistant. This is a great way to gain on-set experience while exposing yourself to many different facets of production so you can decide which areas you gravitate towards and may want to pursue. PA's are often asked to wear a lot of different hats. So what makes a good PA?
DPA Microphones is delighted to have played a key part in capturing the sound for this high octane movie. Award-winning Production Sound Mixer Ben Osmo chose the company's d:screet™ 4063 Miniature Microphones with low sensitivity and low voltage to record dialogue during the shooting of action scenes that involved fast, furious and bumpy chases across the Namibian desert. He also used DPA d:screet 4062 Miniature Microphones with extra low sensitivity for cabled recordings of various vehicles, and these were held firm inside each vehicle by DPA magnet mounts.
If I had to pick one constant among independent film festival submissions it would be unintelligible dialogue. The cause of desperation of every director; the bane of every mixing engineer’s existence; the source of suffering of your friends and family, forced to go through a whole movie they don’t understand because the actors’ words simply can’t be heard. This and many other nuances of your film’s sound are the victims of a few often overlooked details, which in turn result in the delivery of a subpar soundtrack, driving your audio post team insane and wasting production money. Good news is these mistakes can very easily be prevented. You can start by tackling a few key issues often associated with your role.
Behind the Sounds of Russian Doll with of Supervising Sound Editor & Re-Recording Mixer Lewis Goldstein
Supervising Sound Editor and Re-Recording Mixer Lewis Goldstein, worked on two of Netflix’s most recent original comedies: Russian Doll Season 2 and upcoming mini-series The Pentaverate. He recently spoke with ProductionHUB about his editing and mixing process.
Mike James Gallagher is an Emmy-nominated sound designer from Baton Rouge, Louisiana. Most recently he was the sound designer of Weird: The Al Yankovic Story. Mike worked with his frequent collaborator Supervising Sound Editor Anthony Vanchure to bring the Weird soundtrack to life".
Editors, Sound Designers & VFX Artists Share Their Secrets at MEW’s 6/8 EventBy N. HalpernOn June 18th, the Manhattan Edit Workshop presented “Inside the Cutting Room: Sight, Sound and Story,” a series of panels on post-production techniques. The day’s events included panels that ran the gamut from picture editing, to sound design and visual effects. Here are some highlights from the day’s panels.In the afternoon panel “Anatomy of a Scene: Documentary and Narrative Editors Deconstruct their Work” film editors Michael Berenbaum, David Tedeschi, Jeffrey Wolf, and David Zieff screened and discussed sequences from documentary and narrative film projects, charting the processes of their respective developments.
In our latest interview, we spoke with the supervising sound editor/re-recording mixer, Luciano Vignola, and re-recording mixer, Martin Czembor, for Apple TV+’s new series, Pachinko.
We recently spoke with Director, Editor and Creative Tony Gallardo about using DaVinci Resolve 15 Public Beta on several upcoming social media spots for Copper Gel pain reliever. For the project, Tony used DaVinci Resolve 15 extensively for editing, sound design, Fusion (to add titles) and color grading/finishing.