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The concept of television has changed dramatically since 1996, when the UN General Assembly declared November 21 World Television Day in honor of the impact TV has had on our decision-making.

Network television had a pretty good run. For decades, TV producers perfected their formulas to maximize viewership through scheduled weekly episodes. Streaming services have permanently disrupted television’s model by dropping entire seasons at once, adding an entirely new dynamic to the game. There’s no turning back the clock; television as we know it is changing forever, and streaming services are taking the lead.

Everything changes and television is no exception. Online is the new television. The amount of time people spent consuming only video each day jumped 23.3% in 2015 and is set to increase by a further 19.8% in 2016. Advances in technology only boosted this trend with increases in mobile video performance and storage capacities.

As productions return to work, they are faced with the realities of what it will take to create the safest possible work environment. While some locations have specific restrictions, including quarantine requirements, there are some universal precautions that will apply to shooting in any location - such as implementing staggered work shifts and/or the zone system, increasing off-set work, and limiting contact.

On April 25, The Motion Picture & Television Fund was recognized with the Jean Hersholt Humanitarian Award at the 2021 Academy Awards. The organization, which supports the entertainment community in times of need, was faced with the difficulty of keeping their LA campus senior residents healthy and physically distant while also finding ways for them to feel connected and pursue creative outlets.

Catch up on what you need to know about the Reality TV Awards from Audio Network's interview with Kristen Moss!

Emmy-nominated) VFX work behind Amazon’s neo-futurist fable TALES FROM THE LOOP. Visual effects are of course key to any sci-fi story, but maintaining a balance with the naturalism of this one gave the VFX team more than enough to manage. Supervisor Andrea Knoll (a woman leading the VFX department, not that that should be a novelty anymore!) took point, enlisting the aid of Rodeo FX (Stranger Things 3, Tom Clancy’s Jack Ryan) as lead vendor. Over 700 VFX shots comprise a world that feels painterly, humanistic and lived-in yet sharp, tech-forward and brand new.

I've learned quite a few lessons throughout the course of my career in commercial production. And many the hard way. But you live -- you learn, and such is life. Perhaps the most important I've learned is how to surround myself with professionals who work on other high-profile projects all the time.

Over the past decade, most of the world has adopted some form of loudness legislation for television. This is wonderful news for casual viewers who understandably hate loud commercials, as well as for the Federal Communications Commission (FCC), which received approximately 1,000 complaints and 5,000 inquiries about excessively loud TV commercials between 2008 and 2012. But, for those who work in television post-production, it can complicate matters somewhat.