33 blog posts found matching keyword search for: truck in Westminster
The demand for live televised college sports has never been higher. From all of the biggest and best college football programs to sports that you may never have seen before, the heat is on to produce the type of high production quality that viewers expect. With colleges and conferences building their own networks, it's no wonder that crews are busier than ever. Where do we start?
The scope and beauty of the Olympics is beyond compare. But how do all of those beautiful images and wonderful audio get produced and sent back to an eager audience? As part of one of the largest productions ever assembled, Glen Levine, Co President NEP Group had a unique vantage point unlike no other for the 2016 Rio Olympics. ProductionHub had the rare and exclusive opportunity to catch up with Glen Levine, Co President NEP Mobile on the ground in Rio.
When I was first approached about doing a product review for SlingStudio (owned by DISH), I was pretty skeptical. What would a huge company known for delivery content know about creating content? But I digress. I come from the traditional sit behind the switcher in the truck produce and punch the show or game. You get it. Big setups, lots of presets and time. Then it dawned on me that multicamera (multi-source) is mostly the same however you approach it. It's really all about scaling your production plan to the scale of the production and what is it that you want your audience to see and experience.
It’s almost the Fourth of July and many of the production pros are loading up for the big outdoor production runs of the summer. But let’s face it — in reality, working outdoors can be a year-round challenge. From freezing rain and blistering heat too long days and nights, executing live multi-camera outdoor productions can be a daunting, yet exhilarating experience.
Self-proclaimed “Satellite Guy” Rob McWilliams of McWilliams Productions shares tales from producing multiple live shows at CES, including how he was able to live stream through a massive blackout!
What if you could produce more live videos without incurring the expense and hassle associated with sending entire production crews and trucks to every venue? And what if you could do that without sacrificing video quality or reliability? The wireless at-home production model allows you to do just that. At-home production is changing the way you can execute live events. Here’s how:
So you're making a movie. You read all the books, watched the DVDs, maybe got a degree, or you learned things “the hard way,” by trial and error. You’re a master, or maybe not. You went on a vision quest and the film gods granted you a story to tell. It’s gonna be your breakthrough project. For whatever reason, you decided to make a movie, short or long, cheap or expensive, and you’ve assembled a crew of competent specialists. I used to believe in the auteur theory, and creatively, I still do, but that doesn’t mean you literally do all the heavy lifting alone. No matter how many heads are present (and how many hats they’re wearing), filmmaking is a team effort.
For those who missed Cine Gear 2013 this past week, this expo offers artists & technicians the opportunity to discover the latest technology & techniques, all while being able to network with industry pros in a professional & fun studio environment.Thanks to ProHUBBer, Kim Karel, she shares her perspective on what you might have missed at the expo this year!
We all know how powerful a creative video can be. But how do you build the right infrastructure AND the right team to tell your stories in a fresh, compelling way?
Over the years I have had the opportunity to work with some of the best and brightest minds in sports production. Everybody involved in the production side of things has brought their own unique style and expertise to the table - outstanding producers and directors, technical directors, audio engineers with mad skills, rock solid camera ops, and dare I say hundreds of other technicians, grips, and production assistants, and just a lot of other people that make great sports productions happen. But all of the people I have just mentioned whether they were part of a big crew, or of just a crew of two have one thing in common.