Working as a photographer or a cameraman during winter is not a pleasant feeling. Being in that business, you have to be present on set for hours, working without a break, and under any weather conditions. Furthermore, when you do take breaks, you need to store your equipment somewhere before proceeding. Cold weather is not good for your health, nor is it good for the state of your camera. With that said, here are a couple of the best tips for storing filming equipment in a cold climate.
With in-person concerts on hiatus, Grammy-nominated rock band Underoath turned to Odd!Life Studios to help produce a live streamed concert series so fans could enjoy their music while at home. Creating an immersive experience that was equal parts performance art, the concert series (“Underoath: Observatory”) consisted of three concerts over the course of three weeks, with each concert covering one of Underoath’s albums in its entirety. Cinematographer, Director and Producer Lief Thomason from Odd!Life Studios spoke exclusively to us about what it took to successfully pull off the concert series, including how using a Blackmagic Design workflow powered by four Pocket Cinema Camera 6Ks, an ATEM Mini Pro, ATEM 2 M/E Production Studio 4K and ATEM 1 M/E Broadcast Panel helped them get everything done within their tight two week turnaround time.
Located in Pleasantville, NY, the Jacob Burns Film Center (JBFC) developed its Creative Culture fellowship program to help champion underrepresented voices and diverse storytelling. Now in its fourth year, Creative Culture has helped 35 filmmakers create projects that have been selected by top tier film festivals, such as Sundance, Berlinale, and SXSW, and acquired by Fox Searchlight, POV, NY Times Op Docs, and Staff Pick’d at Vimeo. This includes recent projects such as Adam Meeks’ “Union County” which premiered at this year’s Berlinale, and Crystal Kayiza’s “See You Next Time” which was selected at Sundance 2020 and recently acquired by The New Yorker.
Over the last couple of years, I have been very fortunate to test and evaluate many different types of cameras. From full-size 8K to specialized miniature POV units putting different cameras to the test is always interesting and a lot of fun. In this review, we are going to be taking a look at the Panasonic AG-CX10. The AG-CX10 is said to be the little brother of the Panasonic AG-CX 350. In either case, both are excellent choices for people that need a good amount of features that allow for a quick start-up, getting the shots you need, then scramming out of harm's way. But before I get too deep there are a couple of the things I try to keep in mind when reviewing gear. Who is this camera for? What might they use it for? Will it be a good fit and a good return on investment?
Quibi and the ATTN: team are gearing up to debut the new "Your Daily Horoscope” daily animated series. Taye Shuayb, VP of Production at ATTN, and team, which includes designers, animators, compositors and editors, counts on Adobe to edit and deliver 12 minutes of animation everyday using a combination of Photoshop, Character Animator, After Effects, and Premiere Pro.
It just wouldn’t be the awards season (virtual or otherwise) without our very own ProductionHUB Awards of Excellence. Every year around this time the editorial staff at ProductionHUB along with some noted industry experts takes a long look at some of the latest in new offerings in production equipment and software. Of course as with everything else going on this year, the logistics were a little bit harder. But the show must go on so here we are! ProductionHUB proudly presents the 2020 Award of Excellence winners.
The Texas Production Expo is the premier annual trade show of film/video production services and technology in North Texas. Each year, the top companies throughout the market showcase their latest and greatest services and equipment. TPE will be on May 8th, 2019 at the Grapevine Convention Center. We sat down with Dallas Producers Association President Mikon Haaksman to get a preview to the Expo.
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