Netflix’s Dick Johnson Is Dead explores the complex emotions we feel as our loved ones grow old in a highly imaginative and cathartic story of a daughter’s love for her father as he nears the end of his life. Award-winning filmmaker and director Kirsten Johnson celebrates her father in this bittersweet tribute as a way for them to both cope with the evitable, blending imaginary scenes and real-life events as her and her father experience pain, love and joy.

HBO Max’s Legendary isn’t the first reality competition series to shine a light on a fascinating slice of LGBTQ+ culture, but series director Rik Reinholdtsen brought a showstopping cinematic look to the Ballroom competition show’s first season that is unlike anything you've ever seen before. Reinholdtsen (Cooked with Cannabis, Inside the Actor’s Studio, Chelsea) shot with the Canon EOS C700 Full-Frame Cinema Camera, EOS C500 Mark II, and Sumire Prime Lenses to create a larger-than-life look that matched the majesty of the Ballroom performances, which blend dance, performance art and fashion. Reinholdtsen used the same gear to shoot in the field for the documentary portions of the show, helping him achieve a cohesive look. We spoke exclusively to Reinholdtsen about his experience on Legendary, why Canon was the right choice for this project, and what inspired the show’s aesthetic.

Recently premiering on Amazon, the second season of “Woodwalkers” follows a group of students as they take on a grueling 15-week training program to become professional lineworkers, constructing and maintaining electric power lines, at the premier lineman school Southeast Lineman Training Center in Trenton, Ga.

Our first internal piece was a live town hall on March 20th. It included the hospital president and other leadership discussing COVID-19 policies, workplace changes, future plans, and answering employee questions from the chat. We then continued for five more weeks to hold these meetings, most of which averaged 800 live viewers, with even more watching it on-demand later.

Welcome back to our fourth installment of Pivot Point. Pivot Point is designed to explore what production professionals from all over are doing right now to keep working. This means going from on location and studio multi-camera to more remote like “at home” productions. This time around we catch up with Nick Walsh, Creative and Technical Director from LiveX. LiveX is a very interesting company that does some of just about everything. They(LiveX) are no strangers to challenging production situations and have been able to turn the corner and keep pretty busy. Here’s what Nick had to say about the current production environment for LiveX.

Sooner or later, every commercial filmmaker comes across a project that, for one reason or another, requires him or her to conduct an interview. Whether it’s a brand film, documentary, or testimonial, interviews with ‘real people’ (non-actors) bring a unique set of challenges. Most producers know this, and they also know that they ought to prepare for this kind of interview-but how?

Photographer, Author, Public Speaker. These are just a few words that describe Joseph Sohm, who started as an American History Teacher and whose passion for America's past, present and future, granted him the opportunity to conceive "Visions of America," an ongoing multi-media project that aims to capture the spirit of America.

Matt Leonetti started his career as a camera operator & quickly became a full-fledged cinematographer shooting iconic films, including Poltergeist, Fast Times at Ridgemont High, Weird Science, Jagged Edge, Star Trek: First Contact, Dawn of the Dead, The Butterfly Effect, and Rush Hour 2. Forty years after his first role as director of photography on Bat People (1974), Leonetti continues to shoot, including the upcoming Dumb and Dumber To. Learn how Leonetti paved the way to his success, with tips, advice and much more.

This October marks the silver anniversary of AbelCine, the respected equipment services provider known for their longtime support of the production community. President & CEO Pete Abel, who co-founded the company with his brother Rich in 1989, discusses what has shaped AbelCine’s development over the last 25 years.

The Drive "pulls back the curtain" and provides viewers with a rare look into what a nationally-ranked college football team goes through on their quest for a Pac-12 Championship. Fans get to go "under the helmet" to learn the players personalities and personal stories. Catch up with Senior Coordinating Producer, Michael Tolajian, as he shows viewers much more than they could ever see by just watching the game broadcasts.