This season’s Marvel Studios mega grosser Black Panther is scoring big at the box office and with audiences. Under the guidance of DP Rachel Morrison’s Gaffer, Dan Cornwall and Lighting Programmer, Elton James, VER provided Enhanced Environments for three sets on the feature, shot at OFS and EUE/Screen Gem Studios in Atlanta.
Sabya Clarke, VR director, writer and producer shares her experience making the VR cinematic experience, To Patch A Broken Star (2018).
We need many more environmental success stories. Communities across the US are struggling with the realities of unhealthy rivers and depressed fish stocks, feeling the impacts of coastal degradation and climate change, and debating both dam construction and removal. The Memory of Fish tackles these themes through the story of the legendary Dick Goin.
From Rawson Marshall Thurber, the writer/director of Central Intelligence and We’re the Millers, comes the YouTube Red comedy series, Ryan Hansen Solves Crimes on Television*. In the genre-bending show, the LAPD creates a task force that partners actors with detectives. The series was shot by cinematographer Charles Papert (Mary + Jane, Key and Peele) with VariCam LT cinema cameras.
While computer animation is often a crucial tool for telling a story, filmmaker Denise Ohio used 3D CGI to help her actually understand the historical event that is the subject of her documentary, Verona: The Story of the Everett Massacre (2017, 105 minutes, Virgil Films).
Warner Bros.’ much anticipated Justice League movie sees DC’s most famed heroes join forces – Batman, Wonder Woman, Aquaman, Cyborg and The Flash — to take down the film’s Big Bad, supervillain Steppenwolf.
Director David F. Sandberg has always had a passion for horror and sci-fi films. Though his résumé includes a variety of animation, documentary and short form drama projects, horror and sci-fi have always been the end goal.
I've learned quite a few lessons throughout the course of my career in commercial production. And many the hard way. But you live -- you learn, and such is life. Perhaps the most important I've learned is how to surround myself with professionals who work on other high-profile projects all the time.
We all want to work on films and commercial productions where we have the budget and the creative that allows for casting calls, talent agents and professional actors to deliver inspired performances. But in reality many creative concepts these days call for "real talent," another way of saying using real people vs. professional actors. After years of experience working with and without professional actors as talent, I have found that despite having non-pros as actors, you can still evoke great performances. In fact, when a good directing job is achieved, you may find the real-person performance is the most authentic, from-the-heart acting on camera. And if anything, directing non-professionals is great practice in a more forgiving environment for your directing skills.
Whatever happened to the inclusive attitude of "Strong enough for a man but made for a woman?" This "manly" ad for Dr. Pepper is part of a trend also taken by advertisers like Old Spice and Miller Lite in recent years to use hyper-masculenity to sell products. And of course, this tactic seems to work, but the overt messaging is controversial. Which begs the question, "Where do you Draw the Line?"