There's just something that keeps us coming back to Stanley Kubrick. His touch and care with the camera draw us in over and over again. One movie that sneaks up on you and beckons to be watched multiple times is Barry Lyndon.
The metaverse has been gradually growing in popularity over the last few years. Yet, many video marketing businesses have been slow to get on board with it. This is understandable, to an extent. After all, it involves technology and techniques that are different to those of more common video marketing projects.
When it comes to cutting reality television, editing teams have their work cut out for them – no pun intended. This is in part due to the “always on” nature of reality TV that involves 24/7 filming, resulting in hours upon hours of content. This was also the case for the editing team behind the Paramount+ lifestyle series All Star Shore, which was tasked with cutting a massive amount of footage – 2,500 hours to be exact. With four ISOs recording 17 hours a day and 13 more on set ENG style, the folks at Eggplant Picture & Sound knew they’d need to ramp up quickly if they were going to meet the production deadline.
Furnished Quarters is the largest independently owned and operated supplier of global temporary housing, offering over 100,000 furnished apartments in more than 800 cities worldwide. This year, the company is celebrating 25 incredible years in the business.
In Bardo: False Chronicle of a Handful of Truths, Mexican filmmaker and expat Silverio Gama (Daniel Giménez Cacho) undertakes a mind- and time-bending journey of the soul in which he’s forced to confront his creative appetites, family history, national identity, mortality and more. The tale is steeped in director and cowriter Alejandro G. Iñárritu’s personal ruminations; to help realize his vision for the movie, Iñárritu found a deeply sympathetic collaborator in cinematographer Darius Khondji, ASC, AFC. Since Bardo’s premiere, Khondji’s work has been lauded with a Silver Frog at the EnergaCamerimage International Film Festival and a growing number of award nominations, including from his colleagues in the American Society of Cinematographers.
The following is a guideline based merely on a recent TV production our company worked on, and not necessarily is the same case for others. We do believe that in many cases others may encounter with the same situations.
In 2012, Mark Roberts Motion Control (MRMC) launched Bolt, a new breed of motion control rig that was faster and smaller than ever, and introduced a whole new generation to the creative possibilities of motion control. Now, nine years later, it is doing the same thing again with the Bolt Model Mover, the smallest motion control rig it has made yet, and with a new entry level price-point that widens the technology out to a whole new tier of companies and production houses.
Expanding and enhancing the fan experience at the game has long been a goal of sports stadiums and arenas. From over-the-top, wrap-around video displays to AI driven robotic cameras or the latest display monitors, today's fans don’t want to miss a thing.
