In an industry where gear plays such an important role, you know a piece of equipment is worth a look when it becomes the consensus choice of the pros. For many, the Sony FS7 has achieved that status among cameras currently on the market. For the scoop on this topic, we interviewed Tammy Rogers, a seasoned production manager with a pulse on what video service clients and providers are talking about.
As we gear up for 2017 NAB, I could not think of a better time to step back and look at the incredible amount of choices (zoom or prime) when it comes to selecting what you deem as the best lens or group of lenses for your next shoot. But there are some really important considerations to think about when lining up your next project. Before we delve into lens heaven and look at some current models, let’s hit pause and look at few thinking points that might make for some good food for thought.
It’s super lightweight. It’s dynamic. But is Blackmagic Design’s URSA Mini 4.6K worth the price tag at almost $5,000?We asked one of our CrewCloud video service providers to give us the scoop. Peter Doris of Nexus Digital Media spilled on his experience, his challenges, and what it took to get the camera from the box to its first shoot.
The rise of professional field monitors and recorders (or some combination thereof) has to be one of the most interesting and welcome product developments for filmmakers in recent memory. Pushed by demand for more features and benefits, manufacturers have answered the call. This new breed of smaller yet powerful monitor/recorders takes production capabilities to a whole new level with 4K and beyond.