by Madeleine Hammond The familiar storytelling arc is an old and reliable friend in the world of video marketing. It’s a great way to connect with your audience and familiarize them with your brand. That’s not to say that story-based videos are fool-proof, however. To avoid botching your efforts, here are some bits of advice to guide you through your video journey.
Pro Videographer & Editor Bradford Hill has had a lot of experience shooting events, music videos & interviews across the nation. His project require crisp sound with clear settings. When Shure shipped both their VP83 LensHopper™ mic and the VP83F LensHopper™ mic straight to ProductionHUB Inc., Hill hooked them up on both the Canon C100 and Canon XA25 to see just how sound these mics truly are.
by Robyn CoburnRecently I wrote an article here at ProductionHUB, Tips For Creating a Solid Production Résumé, detailing the top seven mistakes people make on their Production Résume’s. Here’s a companion piece about the 7 most prevalent mistakes I see on people’s Cover Letters when they apply for Production jobs.
Creating shows like The Office, It's Always Sunny in Philadelphia and Wilfred doesn't come easy, but getting first hand knowledge from director, Randall Einhorn helps us see what it'd be like to work on the set of shows we'd only dream of holding a camera on. Learn how this prime-time Emmy nominated pro landed the job, along with his must-have piece of equipment and sound advice most any production pro should take to heart.
by N. HalpernThe Sony Pictures Sound Effects Series is a ten-volume collection of sound effects, foley, and sound design elements. This wide-ranging collection takes its material directly from the vaults of Sony Pictures Entertainment; unsurprisingly, the quality of the material is uniformly top notch. Besides being a nice potential additional to a sound designer or mixer’s arsenal, this is also an excellent commercial library for quick access for editors, producers, theater producers, and even composers (more on that later) who need to take sound matters into their own hands.
Get a taste for the unexpected! As you may know, Emmy Award-winning Anthony Bourdain takes incredible adventures to extraordinary locations each episode on his show, "Parts Unknown" -- what you may not know is the signature flavor added by the show's colorist, Steve Beganyi. Beganyi truly does an exquisite job at creating images and landscapes in a way that makes viewers feel as if they aren't home on the couch just watching the show, but rather in Spain, Tokyo or Sicily alongside Bourdain on his adventures... even if it's just for that one hour.
Steve Weiss (left) and Jens Bogehegn (right) Congrats to Zacuto for winning not one, but two Emmy Awards earlier this month. For the fourth year in a row, Zacuto was honored by the National Academy of Television Arts & Sciences (NATAS) with the prestigious awards for their film, Light & Shadow.
Trying to find the perfect lighting product or angle when on set can be a challenge, and making sure everything looks crisp on screen is an obvious essential. With so many lighting products out there, we had to find out why Nila LED lights are the go-to lights in our industry. We were able to catch up with industry lighting pro and President/CEO of the company, Jim Sanfilippo, who shares some pretty good reasons as to why their lights rock. Which lights do you prefer to use on set?
by Michael Valinsky After initially meeting at Manhattan Edit Workshop's Inside the Cutting Room event, we followed up to talk further with Emmy-Award winning editor Arielle Amsalem at Third Rail Coffee in Greenwich Village, NYC. One of the most promising up-and-coming documentary editors today, we had the opportunity to ask her a whole range of questions. Here's our fully-caffeinated interview.
Working for heavy hitters like Paramount, Disney, Warner Bros. and Dreamworks doesn't come easy, but for ProHUBber Alex Gans, it's all in a days work. Learn what this industry pro has learned while climbing his ladder of success, creating his own production company and pitching his pilot to networks next year.