by featured blog contributor, Jeremy Pinckert As we enter the beginning of Summer Blockbuster Season, there looks to be a large amount of big-budget movies coming out in 2013 which are adapted from either books, comic books, or earlier TV series. Logic tells us not all of these films will be successful or worthy of your viewing time. With so many options you’ll either break the bank and gain 15 extra buttery-popcorn induced pounds, or you’ll simply be more critical in deciding which movies are worthy of your viewing time, money, and self-image. Read below for ideas as to why some of these adapted films will succeed, and others will fail.
by Nina StreichA new highlight at this year’s Tribeca Film Festival was the two-day Forum about “Growing Your Festival Brand” moderated by former TFF Executive Director, Nancy Schafer.
by Nina StreichAn innovative event at the Tribeca Film Festival was “Storyscapes,” a selection of transmedia collaborations. Sponsored by Bombay Sapphire in a warehouse space just north of Tribeca dubbed the “House of Imagination,” the presentations were varied and imaginative.
by Katrina DiamondThe panel kicked off with a 5-min. montage of great movies, then dived right into questions. This ‘The State of the Crafts’ session at NAB was a panel of the following speakers:* Richard Crudo, ASC - Vice President * Stephen Lighthill, ASC President, “The Spirit of ‘76”, “Earth 2”, “Nash Bridges” * Dean Cundey, ASC * David Mullen, ASC, “Northfork”, “Smash”, “Big Sur”
by Jessica NinModerator:Randy Thornton, CEO & President of Warner/Chappell Production Music Speakers: * John Houlihan: Music Supervisor, “Training Day,” “Austin Powers,” “Vegas”; VP, Guild of Music Supervisors * Jeff Lusk Music Supervisor and Sound Designer, Warner/Chappell Production Music * Alexandra Patsavas Chop Shop, Music Supervisor, “Grey’s Anatomy,” “Mad Men,” “The Carrie Diaries” * Edwina Travis-Chin Music Director, APM Music Session Description:So many successful films and television shows feature memorable music that strikes the perfect balance between what is seen on the screen and what is felt by the viewer. From haunting ballads to hard-driving rock and roll, much of this is accomplished through a mix of both production music and original scores. Leading music supervisors know how to work with both. In this panel of industry executives and working music supervisors, learn how the pros determine the best approach to achieving the desired mood for a film. Produced in partnership with the Production Music Association (PMA) and the Guild of Music Supervisors.
It can be slightly overwhelming wrapping your head around all the 2013 Tribeca Film Festival has to offer. From checking out the 60 short films screening to listening to Clint Eastwood and learning about "The Future of Film", this year’s festival seems like it will be full of yet another week of amazing attendees, panels, events and of course, star-studded cinematography in the city that never sleeps.
by Bradford HillSession Notes from "How SNL Produces Short Films in 48 Hours or Less" at the NAB Show. Speakers: George Winslow, Rhys Thomas, Stacey Foster, Alex Buono, Adam Epstein(Basically, the SNL Film unit produces killer shorts in less than the time it took me to write these session notes). First, they kicked off the session with a montage of some of the best recent SNL shorts, including ‘Red Flag’, “Sopranos Diaries” and the “Real Housewives of Disney”. See More Here: http://www.rhyst.com/filter/snlThen they showed my personal favorite, the Louie CK parody “Lincoln.”How many of you would have guessed that happened in the wake of Sandy? More to come on that later.
by Katrina Diamond & Jessica NinEveryone knows one of the factors in exponentially growing a business, is to create a great video defining it. With a little research and time, it’s clear to see why we chose a few of these small biz videos to feature as great examples of companies that know how to get their message across for all to see and hear, but also truly get results and ultimately, sales.
reviewed by Chris Sanchez Great 70s sounds, and not just for Funk! I’ve been writing music for television shows and commercials since 1999, and in this line of work it’s invaluable to have a strong library of royalty-free loops and samples at your disposal. I’ve purchased dozens of such products over the years, and two of my all-time favorites are “Mick Fleetwood: Total Drumming” and “Drums From The Big Room: The Mixes,” both of which are published by Sony Creative Software (SCS). In terms of sonics, performances, and ergonomics, these two products have proven themselves time-and-time-again across a wide variety of genres and moods. They are also a great value. Those of you who follow my blog Preservation Sound know that I have a fondness for the sounds and studio techniques of earlier days, and when I saw that SCS had a new collection called ‘What it is! 70s Analog Funk’ I was excited to dig in.
GDC Session with speaker Rod Abernathy, Rednote Audio.Rod Abernethy is known throughout Europe, Asia and the Americas for his cutting-edge approach to music composition for video games, television and film. Credits include: Sound Dead Space, Rage, Wheelman, Alpha protocol, Hobbit, King Arthur and Transformers, Madagascar 3, and more! Rod’s music has also been featured in programming for major networks including ABC, CBS, Discovery Channel, ESPN, Fox, G4, HBO, Nickelodeon, TLC and PBS.