Larson Studios and Post Haste Digital have recently joined forces to extend audio and video post services in West L.A. Here, they share two perspectives on selecting a post-production audio/video company: the questions that you as a client should ask a company before final selection, and as a company, how you should be responding to those questions.
Do you dream of the day where your story transforms into film, you see your name in lights from Hollywood's red carpet, or you watch your characters come alive on the big screen? A few successful scriptwriters have listed some of their BEST insights on when (and how) to put the pen to paper, and are steering you clear of crumbling up your ideas and playing basketball with your trash can.
Department of Defense spending cuts are no secret to many government contractors. Working within lean budgets are the way of doing business with the government and in particular, the military.
For over 20 years, AVX has brought together vendors and professionals from all across the country who specialize in video, sound, broadcast, animation, engineering, and media.
Parachute founder Sam O’Hare discusses how VFX created the perfect night at the ballpark for Chrysler and Miggy Cabrera When Miguel Cabrera swings the bat, there’s usually a stadium full of screaming fans around him. However, for Chrysler’s “Miggy at the Bat” commercial, the stands were empty.
This summer, NYC-based music company Pull brought the digital icons known as emojis alive. Through three fun themes specializing in sound selection, they created Pepsi’s summer Instagram campaign celebrating World Emoji Day.
Tanna Frederick, award-winning actress of film and theater, is ready to show off Defrost, a 360-degree Virtual Reality movie, with the world. The movie is one of the first of its kind, using Samsung Gear VR Goggles to create an immersive, emotional experience for viewers. Frederick describes the production of the film, what it's like to acting in a virtual reality film and Oculus technology.
Travis Kalanick, co-founder and CEO of Uber, graced the cover of Fast Company this month and it couldn’t help but remind me of hearing him speak at TechWeek a few years ago, back when Uber was just a cute “can’t wait for this to come to my city” app.
For most people who hear the title "corporate video production", I would imagine that some of the first words that come to mind are boring, dull, stiff, or lame. You'd be surprised to find that some companies are producing corporate videos that are anything, but lame.
When you hear, "corporate video," it doesn't always command your attention. That's why big brands like Shutterstock are changing the traditional approach to corporate video, captivating an audience through powerful storytelling, and connecting consumers with brands. Shutterstock isn't using celebrities or fancy editing either; their stars are a little younger and a lot less experienced. Derick Rhodes, Director, Footage, Shutterstock discusses his team's creative strategy for their Terms of Service spot...and why it's wildly effective.