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Leading supplier of television editing & post production assembly services in Chicago and the Midwest; offer Avid creative editing; URSA Gold telecine; Flame graphics/effects design; audio post; component digital online assembly services

Creative media and video project collective of global artists and independents grown from our post production specialty work and expertise. Jon is our creative post supervisor and lead artist editing, directing or VFX supervising all projects with his artistic skill set, visual passions and…

I'm a videographer, photographer, editor, director, producer

Experienced Post Production Manager, Editor, and Colorist with a demonstrated history of working in the broadcast media industry. Skilled in Post Production, Commercial, Music Videos, Camera, Film, and Documentaries. Strong operations professional with a Master's degree focused in cinema and…

Camera Crew, 2ND AC, Camera Op, PA, Documentary/Commercial. ARRI ALEXA MINI, SONY FS7, F55, RED. Cassandra Keith is a filmmaker and photographer who has worked on various documentaries as a cinematographer and in camera crew positions for commercial work. She obtained her MFA in Cinema at the…

Passionate and motivated, with a drive to work full time in television and movie production. Looking to learn more about being a union cinematographer. I specialize in documenting stories of marginalized people. Over the last 5 years of I have developed my storytelling skills, and I am eager for…

Bay Area Native Camera Utility, Camera Assistant, and Data Wrangler. I come to any job with a positive mindset, positive attitude, and prepared for anything.

Jack is a commercial DIT with experience in the whole camera department. From camop and AC work to grip and lighting Jack's diverse skill set lends him to be a helpful, consistent and reliable DIT on set. With 6 years of experience in the industry he is an avid problem solver and knows how to to…

I have more than 8 years of production experience including three years experience as a media manager/data wrangler at NBCU/Bluprint as a staff media manager and assistant editor. Previously I spent five years as a PA, assisting camera and grip departments as well as a runner. Media…

Film and television editor, Local 700. In her four plus years as a professional editor, Lindsey Myers has covered a wide rage of media and style from animated television series to feature films. She has worked with such clients as Disney, VIZ Media, Bandai and Marvel. A staunch supporter of…

I am a Freelance Editor/Assistant Editor, looking for short and long-term work. I have two years of work as both a primary and assistant editor under my belt, and have experience with every aspect of post-production, from ingesting to transcoding. I'm a fast learner, love picking up new skills,…

A tech who's ready to work! 👍 I happily contribute as an assistant cameraman & media manager (DIT) with experience in documentary, reality, film & commercial. Furthermore, I have live production experience as a video engineer (12+ years) & camera operator. Together, let's make a successful…

A freelance Camera Operator and AC stationed out of Grand Rapids, I like to work hard and play hard (once the job is done). I travel for work and don't mind putting in overtime to make the day happen. Long term goal: To work as a DIT in New York City, or to work as a camera operator for major…

Finally, a llama that answers phone calls, emails, texts, and can help with your tax, accounting, and payroll! Tax Llama is a specialty accounting and consulting firm that is specifically focused on creative services. Tax Llama has a team of accountants, data scientists, and marketing…

I am a storyteller, visionary, filmmaker and entrepreneur. I like to work collaboratively in an ever changing industry that allows me to bring unique and innovative ideas to life. I have produced budgets of all sizes, from $30K up to a high-end cap at $2.5million. Freelancing in the San Diego…

A highly organized hard-working individual with a "I love what I do" attitude, looking for career opportunities to fully utilize my training and skills, while making a significant contribution to the success every production I’m a part of.

I'm an experienced DIT, loader, and media manager. I've been working commercial sets for the last 10 years and providing digi -tech services to still shoots for the decade before that. Familiarity with Arri, RED, Sony & DSLR work flows. I've been pulled into acting as an AC, doing VTR work, and…

DIT / DMT / Data Wrangler with own cart. Can work as local in Berlin, Cologne, Munich, Vienna, Leipzig, Frankfurt a.M., Mannheim. Additional experience as 1.AC / 2nd AC. Experienced in commercial and feature film production. Fluent in English and German. German Truck (CE) license, can…

Live Color, Dailies, Media Management, Workflow Coordination & a Certified Apple Support Professional. I am Cross functional problem solver excited to apply a technical, multi-layered skill set on a dynamic production. I love working with talented people and will bring positivity and production…

I am a Camera Dept. (DP/Operator/AC) and Digital Imagining (DIT/DMT/Dailies) freelancer based out of the Bay Area with strong credits from network television and commercials to corporate and branded content. I have previous experience in other departments including Production and G&E, and am…

I have experience in the Art Department, Camera Department, and Post-Production. My resume, reel, and client list can be found on my website.

Hello, My name is Daniel Solano, I'm 23 years old, and I have a B.A. in Film and Digital Production. I have plenty of experience in everything ranging from student shorts, to low budget independent shorts, to small feature films, and live events. I've been working in the industry part time…

I am a DoP and DIT working in the Atlanta area, as well as Virginia. I have experience live color-grading, creating luts on set, live exposure monitoring, pulling iris, and much more. I am most familiar with the BoxIO and Teradek Colr LUT boxes. I love to support the DoPs I work for by being…

As a 1st AC and Head of Department the two most important things for a successful shoot are Preparation and Communication between Production, the DP, my Camera Team, and myself. Because I am able to do those 2 things effectively, I am able to focus on what you want me to do, pull focus. I have…