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I am DIT and Video Assist operator. Qtake, Zoom Streaming. Chicago and Midwest. I work on Commercials, TV and Features. Owner operator.

Freelance Production and Post-Production Professional. Experience working as a Production manager, Production Coordinator, Editor, and Assistant Editor on features, commercials, music videos, and industrials.

Film/Video student at Georgia State University. Looking for work in on-set film/video production. PA and camera intern experience in commercial and music video production.

Experienced Post Production Manager, Editor, and Colorist with a demonstrated history of working in the broadcast media industry. Skilled in Post Production, Commercial, Music Videos, Camera, Film, and Documentaries. Strong operations professional with a Master's degree focused in cinema and…

Camera Crew, 2ND AC, Camera Op, PA, Documentary/Commercial. ARRI ALEXA MINI, SONY FS7, F55, RED. Cassandra Keith is a filmmaker and photographer who has worked on various documentaries as a cinematographer and in camera crew positions for commercial work. She obtained her MFA in Cinema at the…

Bay Area Native Camera Utility, Camera Assistant, and Data Wrangler. I come to any job with a positive mindset, positive attitude, and prepared for anything.

Passionate and motivated, with a drive to work full time in television and movie production. Looking to learn more about being a union cinematographer. I specialize in documenting stories of marginalized people. Over the last 5 years of I have developed my storytelling skills, and I am eager for…

A tech who's ready to work! 👍 I happily contribute as an assistant cameraman & media manager (DIT) with experience in documentary, reality, film & commercial. Furthermore, I have live production experience as a video engineer (12+ years) & camera operator. Together, let's make a successful…

A freelance Camera Operator and AC stationed out of Grand Rapids, I like to work hard and play hard (once the job is done). I travel for work and don't mind putting in overtime to make the day happen. Long term goal: To work as a DIT in New York City, or to work as a camera operator for major…

Finally, a llama that answers phone calls, emails, texts, and can help with your tax, accounting, and payroll! Tax Llama is a specialty accounting and consulting firm that is specifically focused on creative services. Tax Llama has a team of accountants, data scientists, and marketing…

A highly organized hard-working individual with a "I love what I do" attitude, looking for career opportunities to fully utilize my training and skills, while making a significant contribution to the success every production I’m a part of.

I am a storyteller, visionary, filmmaker and entrepreneur. I like to work collaboratively in an ever changing industry that allows me to bring unique and innovative ideas to life. I have produced budgets of all sizes, from $30K up to a high-end cap at $2.5million. Freelancing in the San Diego…

Jack is a commercial DIT with experience in the whole camera department. From camop and AC work to grip and lighting Jack's diverse skill set lends him to be a helpful, consistent and reliable DIT on set. With 6 years of experience in the industry he is an avid problem solver and knows how to to…

I am a Camera Dept. (DP/Operator/AC) and Digital Imagining (DIT/DMT/Dailies) freelancer based out of the Bay Area with strong credits from network television and commercials to corporate and branded content. I have previous experience in other departments including Production and G&E, and am…

I'm an experienced DIT, loader, and media manager. I've been working commercial sets for the last 10 years and providing digi -tech services to still shoots for the decade before that. Familiarity with Arri, RED, Sony & DSLR work flows. I've been pulled into acting as an AC, doing VTR work, and…

I have more than 8 years of production experience including three years experience as a media manager/data wrangler at NBCU/Bluprint as a staff media manager and assistant editor. Previously I spent five years as a PA, assisting camera and grip departments as well as a runner. Media…

DIT / DMT / Data Wrangler with own cart. Can work as local in Berlin, Cologne, Munich, Vienna, Leipzig, Frankfurt a.M., Mannheim. Additional experience as 1.AC / 2nd AC. Experienced in commercial and feature film production. Fluent in English and German. German Truck (CE) license, can…

I have experience in the Art Department, Camera Department, and Post-Production. My resume, reel, and client list can be found on my website.

Live Color, Dailies, Media Management, Workflow Coordination & a Certified Apple Support Professional. I am Cross functional problem solver excited to apply a technical, multi-layered skill set on a dynamic production. I love working with talented people and will bring positivity and production…

Hello, My name is Daniel Solano, I'm 23 years old, and I have a B.A. in Film and Digital Production. I have plenty of experience in everything ranging from student shorts, to low budget independent shorts, to small feature films, and live events. I've been working in the industry part time…

I am a location sound mixer for short term crewed projects in NW Florida. I have been a television production professional since 1986. In that time, I've worked in every aspect of production from producer/director to production assistant and everything in between. I've also always worked…

I am a DoP and DIT working in the Atlanta area, as well as Virginia. I have experience live color-grading, creating luts on set, live exposure monitoring, pulling iris, and much more. I am most familiar with the BoxIO and Teradek Colr LUT boxes. I love to support the DoPs I work for by being…

Hello! I am a 2nd AC/Camera Operator who works in both narrative and commercial sets. I also provide camera department support where needed as follows: 2nd Assistant Camera, Camera Operator, Clapper, Camera PA/Intern, Data Wrangler. Experience with RED, ARRI, Blackmagic, Panasonic and Sony Camera…

As a 1st AC and Head of Department the two most important things for a successful shoot are Preparation and Communication between Production, the DP, my Camera Team, and myself. Because I am able to do those 2 things effectively, I am able to focus on what you want me to do, pull focus. I have…