As a DIT, one of the things I bring to set is an intimate knowledge of post workflow. On complicated projects I like to communicate directly with the editor and compositor to know exactly what codec they need and what file structure works for them. Every project can have a unique workflow, an I try to assist in creating the workflow best suited for the project.
I have worked on three different features from beginning to end. On these sets I managed data in a safe and secure way, created a one light for the incoming footage, and generated dailies for producers who were often times in another state.
I have been in the industry since 2011.
I worked on this video for Swanson Studio's 20/2 event, working on the compositing, color, and on set as a DIT.