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Mark Petersen

Long Beach, California

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About Me

Frame and light is what I do. Compelling images that tell your story is the result of hard work and teamwork and as the cinematographer I feel it is important to be a leader on set. Embracing an atmosphere of collaboration will create energy and excitement with the cast and crew. When you have this anything is possible. This is how I like to work.

I have been in the industry since 1993.

Demo Reel
Added on 8/30/2019
This is some of my narrative work

Credits

Director – Siesta Key Season 3

May, 2019 — August, 2019
Television – MTV

DP – Teachers

July, 2018 — August, 2018
Television – TV Land

Director of Photography – Teachers - 4 Episodes

July, 2018 — August, 2018
Television – TV Land

Director of Photography – I Like You Just The Way I Am

July, 2017 — August, 2017
Television – ABC digital

Cinematographer – Hilton Hotels

May, 2016 — May, 2016
Commercial – HZ Branding

Cinematographer – Streets of Compton

January, 2016 — April, 2016
Television – A&E

Cinematographer – Gosnel - The Trial of America's Biggest Serial Killer

August, 2015 — November, 2015
Feature – Hat tip Films

Cinematographer – Better Markets

June, 2015 — June, 2015
Commercial – Blue Water Advertising

Cinematographer – My Haunted House

March, 2015 — March, 2015
Television – LifetimeMovieNetwork

Cinematographer – Jersey City Story

September, 2014 — October, 2014
Corporate – Lexis Studio

Camera Operator – Grimm

September, 2014 — September, 2014
Television – NBC

Cinematographer – Finding Hope

November, 2013 — December, 2013
Television – pilot

Cinematographer – Playback

August, 2013 — September, 2013
Feature – Magnum Pictures

Cinematographer – QuickDraw

January, 2013 — March, 2014
Television – Hulu

Cinematographer – Just Peck

August, 2012 — October, 2012
Feature – Jerry Leider Productions

Cinematographer/Director – Witness LA

September, 2011 — January, 2012
Television – pilot

Cinematographer – The Hills

January, 2006 — March, 2007
Television – MTV

Cinematographer – Carolina Low

August, 1998 — September, 1998
Feature –

Work with Mark Petersen

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