An interview from the 2014 Content & Communications World in New York City with Director & Producer, Paul Del Vecchio. In this interview Paul talks with us about why he uses Blackmagic Design Cameras, like the Pocket Camera, the Cinema Camera & the 4K Production Camera.
The Blackmagic Pocket Cinema camera is a sized Super 16 digital film camera that's small enough to keep with you at all times, but powerful enough to shoot digital cinema. Get true digital film images with feature film style 13 stops of dynamic range, Super 16 sensor size, high quality lossless CinemaDNG RAW and Apple ProRes recording and the flexibility of an active Micro Four Thirds lens mount. The Blackmagic Pocket Cinema Camera records 1080HD resolution ProRes 422 (HQ) files direct to fast SD cards, so you can natively edit or color correct your media immediately on your laptop. The Blackmagic Pocket Cinema Camera is everything you need to bring cinematic film look shooting to the most difficult and remote locations, perfect for documentaries, independent films, photo journalism, music festivals, ENG, protest marches and even war zones.
The Blackmagic Production Camera 4K PL gives you a high resolution Super 35mm size sensor with global shutter and a more creative depth of field. Customers get incredible Ultra HD images with 12 stops of dynamic range and a large sensor with minimal crop factor so they can capture amazing wide angle, feature film quality shots. When working in HD, customers can use the high resolution images to reframe and zoom into shots without any quality loss.
The Blackmagic Cinema Camera has a 2.5K sensor with a super wide 13 stops of dynamic range that delivers truly cinematic quality images. Both cameras have dramatically wider dynamic range than traditional video cameras that preserves more detail in the blacks and whites of an image. For example, customers can shoot indoors with the correct exposure and still get full detail through windows outside. Every detail captured by the cameras’ sensors is preserved in the RAW files and can be edited and grade natively using the included DaVinci Resolve software for the highest possible quality output.
Both cameras capture CinemaDNG RAW and ProRes files using the built in high speed SSD recorder. Once the shot has wrapped, the disk can be connected to a computer for editing or color correcting straight from the disk using DaVinci Resolve, Final Cut Pro X, Media Composer, or Premiere Pro CC. Working with CinemaDNG RAW preserves the wide dynamic range of the files, allowing customers to open them directly in DaVinci Resolve 11 for editing and grading at the highest quality. That means the final output from DaVinci Resolve is literally a first generation render from the camera original RAW files!
The Blackmagic Production Camera 4K PL and Cinema Camera PL have been designed with portability and durability in mind. They include standard connections so customers do not need to hunt for custom cables, an internal battery, a high resolution 5” LCD touchscreen viewfinder that can be used for entering metadata and that shows settings such as shutter speed, color temperature, timecode and more. Both cameras feature professional SDI connections, built-in Thunderbolt, 1/4” audio jacks for mic/line inputs, 12V to 30V DC input, a 3.5mm headphone socket and LANC for remote control. Blackmagic Cinema Cameras are true digital film cameras that you can hold in your hand, but with the strength to be rigged on cranes, used on Steadycams, in crash cars and more.
This means their are now 5 camera models to choose from in this chassis, with 2 different sensors and 3 different lens mounts. This means you can choose from a 4K sensor with 12 stops of dynamic range, global shutter and large Super 35 size, or the 2.5K sensor with 13 stops of dynamic range, rolling shutter but better low light performance. So you can choose the model that’s best for the type of work you need to do.
For more information please visit: www.PaulDV.net
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