Adding to its robust and expansive line up of Cinema EOS digital cinema cameras, Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to announce the EOS C300 Mark III. The next-generation Super 35mm workhorse features a new Dual Gain Output (DGO) sensor and, like the full-frame EOS C500 Mark II digital cinema camera, employs a modular design and an interchangeable lens mount optional accessory that allows users to easily customize the camera according to the needs of each project, making it an ideal tool for a wide range of video content production. The introduction of C300 Mark III, alongside the already announced C500 Mark II, signal Canon’s equal and high attention to the two important constituencies of Super 35mm and full-frame content creation.
“Creativity should never be hampered by a lack of choice. Canon understands that, which is why we continue to expand and build upon our award-winning lineup of Cinema EOS cameras,” said Tatsuro “Tony” Kano, executive vice president of the Canon U.S.A., Inc. Imaging Technologies and Communications Group. “The EOS C300 Mark III is the latest finely engineered cinema camera from Canon that will seamlessly integrate into a creator’s toolbox, providing users with an imaging solution that delivers a myriad of possibilities and potential. We look forward to seeing the visionary content created with the EOS C300 Mark III camera.”
The newly developed 4K Super 35mm DGO imaging system generates high dynamic range and maintains low noise levels by reading out each photodiode with two different gains. One gain prioritizes saturation in highlight areas while the other suppresses noise in the shadows. The result is an image with up to 16+ stops of dynamic range, clean rich shadows and vibrant highlights in up to 4K/60p. In 2K recording mode, the EOS C300 Mark III camera features recording speeds up to 180p. Equipped with Canon’s latest video imaging processor, the DIGIC DV 7, the camera achieves more fluid and efficient recording of 4K and HDR and can process high-speed video recording, including 4K at up to 120p.
The EOS C300 Mark III camera utilizes Cinema RAW Light [i], a very powerful and useful tool for helping to cut the data size of a file to about one-third to one-fifth of a similar Cinema RAW file, without losing grading flexibility. In addition to being able to record 4K and 2K RAW data internally without using an external recorder, the camera also supports XF-AVC (with a choice of Intra or LongGOP), offering flexible options in recording durations.
The EOS C300 Mark III camera is modular and customizable, just like the EOS C500 Mark II camera. Included with the camera are 13 accessories, such as a 4.3-inch LCD monitor and the GR-V1 grip. Users can also choose from a wide range of additional optional accessories that allow them to configure the EOS C300 Mark III camera to their preferences. Optional accessories include the EVF-V70 electronic viewfinder, SU-15 shoulder support unit and EU-V1 and EU-V2 expansion units. The EU-V1 expansion unit allows for gen-lock, sync out, remote use and ethernet connection; while EU-V2 expansion unit features those functions plus a V-mount battery connection, two analog XLR audio ports and 24v DC Out. Additionally, the mount kits (sold separately) allow users to exchange the EF mount with an EF cinema lock mount or PL mount.
Also announced the CINE-SERVO 25-250mm T2.95-3.95 (CN10x25 IAS S), a new CINE-SERVO cinema lens designed for use with 4K cameras. The new lens, which is available in both EF and PL mount, features 10x optical zoom, a built-in 1.5x extender and a powerful and removable servo motor drive unit, providing broadcast-friendly shoulder operation for ENG/EFP and documentary style shooters. The lightweight design of the lens (6.7 lbs.) is remarkable given the zoom range and feature set, especially when compared with other lenses of similar focal lengths. This outstanding model, as well as the Sumire Prime Lenses announced in 2019, have further strengthened Canon’s robust lineup of Cinema Lenses.
“As the lines between broadcast, cinematic and commercial productions continue to blur, it becomes more important to have a seamless product line that can provide solutions across a broad scope of applications,” said Tatsuro “Tony” Kano, executive vice president of the Canon U.S.A., Inc. Imaging Technologies and Communications Group. “The CINE-SERVO lens family combines outstanding performance and an unmatched focal range from 17mm up to 1500mm in the three-lens family. The new CINE-SERVO 25-250mm lens adds a great deal of versatility to the lineup, and will soon be a favorite of productions large and small.”
Similar to the existing award-winning 17-120mm and 50-1000mm lenses, the CINE-SERVO 25-250mm offers outstanding 4K optical performance thanks to its ultra-low dispersion glass and a large-diameter aspherical lens. Combined with Canon’s unique optical design technology, these components work to help correct color fringing and limit chromatic aberration during operation. The lens features Canon’s renowned warm color science and an 11-blade aperture that produces a beautiful, smooth bokeh.
The new lens is ideal for cameras with a Super 35mm sensor. While the 10x zoom covers a focal range of 25-250mm, the built-in extender stretches that range to an impressive 375mm with an added benefit of allowing for full-frame sensor coverage with only a stop of difference in light loss.
The servo drive unit included with the 25-250mm lens can be easily removed to allow for manual operation, and the gear pitch is compatible with standard cinema controls of zoom and focus. The EF mount version of the lens allows for the utilization of Canon’s proprietary Dual Pixel CMOS AF, which provides users with smooth AF operation and high-speed tracking performance, and the PL mount version supports Cooke/i Technology. In addition, like the 17-120mm, the 25-250mm lens also features a macro function to enable close-up shooting.