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ZEISS has added four new lenses to the ZEISS Supreme Prime Radiance family launched in 2019. The 18 and 135 millimeter focal lengths add telephoto and wide-angle specialties to the seven focal lengths available to date. The new 40 and 65 millimeter lenses enhance the standard range, meaning that the ZEISS Supreme Prime Radiance family, as a self-contained series, now covers all possible applications for high-end film production. With a maximum aperture of T1.5, all eleven focal lengths stand out for their high speed and allow the finest nuances of light to be perceived, even in low-light conditions.

ZEISS Supreme Prime Radiance lenses offer a distinctive look with consistent flares that can be controlled at all times and used without compromise. The ZEISS T* blue coating was developed especially for this series to allow users to create this look across all focal lengths – without having to sacrifice contrast or light transmission.

“The ZEISS Supreme Prime Radiance lenses began as a variant and complement to our existing ZEISS Supreme Prime lenses and have now evolved into a high-end cine set in their own right,” explains Christophe Casenave, responsible for the cine portfolio at ZEISS, adding, “their sophisticated, artistic design has been so well received by the cine community that we are proud to expand the line with four new lenses, offering a comprehensive set of focal lengths for all kinds of artistic demands in cine productions.” These include everything from blockbusters to auteur films to the new era of cinematic episodic television produced by streaming providers.

Among the first to use ZEISS Supreme Prime Radiance lenses was Emmy® award-winning Director of Photography (DOP) Dana Gonzales, ASC. For the fourth season of the iconic series Fargo, it wasn’t just the costume design, production design, and color palette that had to convey the look of the 1950s, but above all, the visual imagery. To portray this Kodachrome look, the ZEISS Radiance lenses worked perfectly for him.

Thanks to their versatile visual look, which is characterized by an extremely smooth transition between in-focus and out-of-focus areas and elegant bokeh, the lenses can be used in a flexible manner and for every artistic need. According to Gonzales, it is the pleasant softness that particularly sets ZEISS Supreme Prime Radiance lenses apart: “I use quite a bit of diffusion, but they are still very sharp with a soft fall-off, reminiscent of vintage lenses. I always embrace them and love the organic way the Radiance captures them. The flares always feel right and not forced.” Now, cinematographers can experience even greater creative freedom provided by telephoto and wide-angle focal lengths that are now part of the ZEISS Supreme Prime Radiance family.

For more information please visit: www.ZEISS.com
For more information about the Cinema Lens Demo Center, please contact:
ZEISS Cinema Lens Demo Center
15260 Ventura Boulevard, Suite 820
Sherman Oaks, CA 91403, USA
818-582-4910
cineshowroomla@zeiss.com

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