An interview from the 2022 NAB Show in Las Vegas with Rob Willox of Sony Electronics.
On display at the 2022 NAB Show was the HDC-F5500 system camera, the latest entry in Sony’s HDC camera series, which boasts a highly sensitive Super 35mm, 4K CMOS global shutter image sensor that enables shallow depth of field. The new multi-format addition builds on the success and benefits of the industry-standard HDC lineup and serves as a powerful tool for those in need of creative expression with a cinematic look, in a system camera form factor and workflow. Thanks to the global shutter effect to prevent rolling shutter distortion and flash band, and its high frame rate capability of 120fps, the HDC-F5500 is ideal for sports and live entertainment production. The camera’s high sensitivity and low noise also make it suitable for capturing dark scenes, which is especially beneficial for drama productions.
“There is a strong desire to integrate the ‘cinematic look’ into sports and entertainment productions to heighten emotions and enable more connected storytelling,” said Theresa Alesso, Pro Division President, Sony Electronics. “Listening to the voice of our customers, we’ve taken our expertise with 35mm cinema cameras and our learnings in industry-leading system cameras and created a new Super 35mm system camera that will match perfectly and easily work alongside our HDC camera series, as well as our portfolio of production solutions.”
A first for a systemized S35mm system, the HDC-F5500 features a motorized 8-step ND filter adopted in Sony’s digital motion picture camera VENICE, which can be controlled locally or remotely, for increased operational flexibility. It also allows for the precise selection of focus depth as well as controlled capture of fast-moving subjects even in bright lighting conditions. Another highlight of the new system camera is its wide color gamut. Support for BT.2020, S-Gamut3/S-Gamut3.cine and HLG enhance creativity and reality and match seamlessly with the color science driving Sony’s most in-demand cameras.
The new camera also provides numerous workflow enhancements for more efficient live production. The HDC-F5500 integrates with Sony’s IP Live production system through the use of the HDCU-5000 series, which supports SMPTE ST 2110 and AMWA NMOS standards. The HDC-F5500 can utilize the new IP extension adaptor HDCE-TX50 for remote production or multi-camera flight pack “CCU-Less” operation. The HDC-F5500 is also compatible with Sony’s existing SR Live for HDR workflow with HLG and S-Log3.
Additionally, the newly developed ARIA (Automatic Restoration of Illumination Attenuation) function, for select supported PL and zoom lenses, calibrates and compensates picture appearance when shooting at a distance.
Other features include a new viewfinder slide mechanism compatible with existing large viewfinders that minimizes the camera operator’s body movement while panning and allows for use in tight or challenging environments. The HDC-F5500 also has an ergonomic grip for handheld work, and side tally lamp. 4K/12G-SDI direct output from the camera facilitates wireless operation and direct recording.
The HDCE-TX50 IP camera extension adaptor reduces the cost and complexity of remote production. It simplifies connection with a new dual-transmission capability for Sony HDC-5500/5000, HDC-3500/3100, and HDC-2500/2400/1700 series system cameras to an SMPTE ST 2110 IP network. The HDCE-TX50 can support IP-4K with HZC-UHD50 software and IP-HD HFR 6x (4x, 3x, 2x) slow motion with HZC-HFR50 software in the camera. The HDCE-RX50 is an IP CCU extension adapter for keeping SDI and legacy interface in the base station side and simply add IP remote production capability with HDCE-TX50.
For more information please visit: www.Sony.com